Raquel Welch finally found some peace in with believers in an ordinary church pew

The statuesque film legend didn't call attention to herself as she shared a pew with other conservative Presbyterians in their small church not far from Hollywood.

She was articulate when discussing theology and church matters and, from time to time, would offer advice on finances. She had learned a lot in the movie business.

Raquel Welch wasn't trying to hide, during the later decades of her life when she faithfully attended Calvary Presbyterian Church in Glendale, California. She was simply looking for people she could trust.

"She was careful. … She wasn't going to one of those 2,000-member churches where everyone would look at her. That wasn't her style," said the Rev. Christopher Neiswonger, who grew up in that congregation and attended nearby Fuller Theological Seminary. He now leads Graceview Associate Reformed Presbyterian Church in Southhaven, Mississippi.

"She also wasn't trying to stick her thumb in the eye of a Hollywood culture that she knew would denigrate this kind of faith commitment. … She was Raquel Welch, but she just wanted to be part of our church family."

Welch died on Feb. 15 at the age of 82, inspiring waves of tributes focusing on her iconic beauty in "Fantastic Voyage," "100 Rifles," "The Three Musketeers" and dozens of other movies and television programs. The legendary poster from "One Million Years B.C." framed her as a bombshell babe image for the ages.

In a Facebook tribute shared with other believers, Neiswonger called Welch a "wonderful lady and a fine Christian" whose "faith grew more powerful and practical with age. It's often true that the most important things become the most important to us as we've matured personally."

Country music and the emotional ties that bind Saturday night and Sunday morning

Anyone looking for the late Johnny Cash will find him in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, the Gospel Music Hall of Fame, the Folk Music Hall of Fame and many other American music honor rolls.

But when asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

That's the kind of raw, tear-jerking storytelling that country fans embrace, according to author Malcolm Gladwell, in a recent Revisionist History podcast called "The King of Tears." That emotional worldview may be one reason people in different regions and social classes have trouble understanding each other.

"I'm talking about the bright line that divides American society -- not the color line, or the ideological lines. I'm talking about the sad song line," said Gladwell, best known for his work in The New Yorker and bestsellers like "The Tipping Point."

Contrast the worldviews of rock and country, he said. Anyone who studies Rolling Stone Magazine's top 50 rock songs will mainly hear "songs about wanting to have sex, songs about having sex, songs about getting high, presumably after having sex. ... In all of those 50 songs, nobody dies after a long illness, no marriage disintegrates, nobody's killed on a battlefield, no mother grieves for a son."

In terms of raw country emotions, said Gladwell, it's hard to top the epic memorial service after the death of superstar George Jones in 2013. At one point, Vince Gill sobbed his way through the heart of his classic "Go Rest High on that Mountain," with Patty Loveless singing a harmony line alone. That song was inspired by the death of Gill's brother, as well as the death of country star Keith Whitley.