movies

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Vast cloud of gods featured in 'Thor: Blood and Thunder,' including 'God of Carpentry'?

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Vast cloud of gods featured in 'Thor: Blood and Thunder,' including 'God of Carpentry'?

Greek mythology makes it clear that the great god Zeus loved to party.

So wild things were happening when the Norse demigod Thor and a pack of Marvel Cinematic Universe (MCU) superheroes entered Omnipotence City in "Thor: Love and Thunder." The Greek gods are out in force, with Zeus serving as king, but so were many other deities from other cultures.

Valkyrie, the female queer king of New Asgard noted, while calling roll, the off-screen presence of another deity -- the "God of Carpentry."

Inquiring minds want to know if, to quote WhatCulture.com, the film's director Taika Waititi had "confirmed the actual existence of Jesus in the MCU? … Without showing Jesus, Waititi has plausible deniability: Valkyrie could've been talking about the Greek God of Carpenters Hephaestus, or even Lu-Ban, the God of Carpentry from Chinese mythology."

The cosmology of the Marvel super-movies has become so complex that it's hard to know precisely what is being said, noted Thom Parham, a screenwriter who teaches at Palm Beach Atlantic University. Early on, the superheroes were simply aliens, instead of gods or demigods.

"But now we've got sub-deities. They want to have their cake and eat it, too," said Parham, after returning from Comic-Con 2022 in San Diego. "We have gods, and we have demigods. We have Greek gods, and we have Egyptian gods. We have the Eternals, and we have the Celestials."

When Parham heard the "God of Carpentry" reference, he felt that "a dangerous line had been crossed. …What are they saying? I don't think they know, yet."

With "Black Panther: Wakanda Forever" poised for November release, the "Avengers" series will reach 30 movies and a dozen or more sequels are planned. The franchise has grossed more than $27 billion at the global box office.

In terms of religious messages, the MCU has come a long way since Captain America, after hearing Loki described as a god, said: "There's only one God … and I'm pretty sure He doesn't dress like that." The New Rockstars YouTube channel counted 50-plus gods in "Thor: Love and Thunder" alone.

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What did Denzel Washington tell Will Smith after the slap heard round the world?

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What did Denzel Washington tell Will Smith after the slap heard round the world?

Moments after the Academy Awards slap heard 'round the world, Will Smith huddled during a commercial break with Denzel Washington, another of the Best Actor nominees.

No one could hear what Smith discussed with the man who is both an A-list player and the rare Hollywood superstar who has -- after years in hot press spotlights -- emerged as a mentor on issues of faith and family.

But Smith appeared to have Washington on his mind during his emotional remarks after winning the Oscar for his work in "King Richard." Smith apologized to his peers for slap-punching Chris Rock after his jest about his wife Jada Pinkett-Smith's shaved head. The comic apparently didn't know she was suffering hair loss with Alopecia.

“In this moment, I am overwhelmed by what God is calling on me to do and be in this world. … I'm being called on in my life to love people and to protect people," said Smith, tears on his face. "I know that to do what we do, you gotta be able to take abuse, you gotta be able to have people talk crazy about you. In this business, you gotta be able to have people disrespecting you. And you gotta smile and pretend that that's OK."

When Washington offered quiet words of encouragement from offstage, Smith thanked him and added: "Denzel said a few minutes ago: At your highest moment, be careful -- that's when the devil comes for you."

This was not ordinary Oscars God-talk.

This drama triggered waves of social-media angst, with critics and millions of viewers debating who to blame for this crisis during an otherwise meandering Academy Awards show shaped by politics, pandemics, gender, race and low ratings.

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What's a 'Christmas movie'? Many struggle with more serious questions about Christmas

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What's a 'Christmas movie'? Many struggle with more serious questions about Christmas

This question rocks the Internet year after year: Is "Die Hard" a "Christmas movie"?

How about "Frosty the Snowman," "Home Alone," "Elf" or "A Bad Moms Christmas"? Is "A Christmas Story" really a "Christmas" story? What about those Hallmark Channel visions of romance, complicated families and wall-to-wall holiday decorations?

The answer to these questions, and many others, hinges on how Americans answer another question: What is "Christmas"?

Ask that question to an iPhone and Siri will quote Wikipedia: "Christmas is an annual festival commemorating the birth of Jesus Christ, observed primarily on December 25 as a religious and cultural celebration among billions of people around the world."

Most people know that much of the story, according to a new survey by Lifeway Research in Nashville. Nearly 75% of Americans say Jesus was born more than 2,000 years ago in Bethlehem and even more believe that Jesus is the Son of God the Father.

After that, things get fuzzy.

"Lots of people celebrate Christmas, but some have no interest in celebrating the birth of Jesus Christ," said Scott McConnell, executive director of Lifeway. "But even some of the people who do take the Christmas message seriously don't understand what it means. …

"This is a story that hasn't changed for 2,000 years, yet many people struggle to tell the story and get the details right. Many don't know why Jesus was born."

Nine of out 10 adult Americans celebrate Christmas, including many non-Christians, according to this September survey of 1,005 Americans, with participants selected to balance gender, age, region, ethnicity, education and religion. This finding matches earlier research.

While Catholics (99%) and Protestants (97%) are the most likely to celebrate Christmas, 82% of religiously unaffiliated Americans also take part, along with 74% of believers in other religious faiths.

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Lessons learned about Christmas past -- by watching classic movies of 1940s

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Lessons learned about Christmas past -- by watching classic movies of 1940s

It's a black-and-white movie Christmas, with snow falling as joyful families mingle on city sidewalks while window-shopping -- buying food, presents, decorations and fresh-cut trees for festivities that are only two days away.

For Americans, this scene represents the ghost of Christmas past, long before suburban malls, big-box scrums and Amazon.com. And as "The Bishop's Wife" opens, an angel -- a graceful Cary Grant -- enters this 1947 tableau, smiling at carolers and children and helping the needy and lost.

"Christmas is always in danger in Christmas movies -- we'd have no reason to make such movies otherwise," wrote critic Titus Techera, executive director of the American Cinema Foundation. In this classic movie, "we have a remarkable concentration of problems in one household: A man's faith, his family, community and church … are all tied together."

It isn't unusual to find miracles, tight-knit communities, glowing churches and parables about human choices, temptation, sin and redemption in old Christmas films, said Techera, contacted by Zoom while visiting Bucharest.

That's why Techera -- a native of Romania, before his work brought him to America -- has written four online essays about the lessons learned from watching '40s movies that were remade in the '90s. The other films in this Acton Institute series are "The Shop Around the Corner," "Miracle on 34th Street" and "Christmas in Connecticut."

There's a reason many modern Americans keep watching these movies, he said. Some yearn for a time before most Americans became so isolated, separated by jobs far from extended families, sprawling suburban neighborhoods and all the paradoxes built into digital networks that were supposed to keep people connected.

"What we see in these movies is a time when Christmas was a far less commercial celebration and there was quite a bit of continuity with traditions from the past. … For many, the church was part of that," he said. "Christmas was a family thing. It was a community thing. … Commerce was more subservient to ordinary life. Commerce had not taken over all of life, including Christmas."

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life. In addition to the White Horse, viewers follow Lewis into the historic Magdalen College library, a tutor's campus suite and, most importantly, The Kilns -- the home where Lewis lived for decades with his older brother Warren and, briefly, with his cancer-stricken wife, the American poet Joy Davidman.

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.

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Survey of Millennials and Gen Z: Many young Americans just don't get the Holocaust

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Survey of Millennials and Gen Z: Many young Americans just don't get the Holocaust

It was the kind of open-ended question researchers ask when they want survey participants to have every possible chance to give a good answer.

Thus, a recent 50-state study of Millennials and younger "Generation Z" Americans included this: "During the Holocaust, Jews and many others were sent to concentration camps, death camps and ghettos. Can you name any concentration camps, death camps or ghettos you have heard of?"

Only 44% could remember hearing about Auschwitz and only 6% remembered Dachau, the first concentration camp. Only 1% mentioned Buchenwald, where Nobel Laureate Elie Wiesel was a prisoner when the American Third Army arrived.

Another question: "How was the Holocaust carried out?" While 30% knew that there were concentration camps, only 13% remembered poison-gas chambers.

"That was truly shocking. I have always thought of Auschwitz as a symbol of evil for just about everyone. … It has always been the ultimate example of what hate can lead to if we don't find a way to stop it," said Gideon Taylor, president of the Conference of Jewish Material Claims Against Germany.

It was a sobering "wake-up call," he added, to learn that half of the young Americans in this survey "couldn't name a single concentration camp. … It seems that we no longer have common Holocaust symbols in our culture, at least not among our younger generations."

Popular culture is crucial. It has, after all, been nearly 30 years since the release of Steven Spielberg's "Schindler's List," so that landmark movie isn't a cultural reference point for many young people. And it's been 20 years since the original "X-Men" movie, which opens at the gates of Auschwitz, and almost a decade since "X-Men: First Class," which offered a variation on that concentration-camp imagery.

Old movies and school Holocaust-education materials, said Taylor, are clearly being buried in information from social media and Internet search engines.

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

Early in the coronavirus crisis, and this summer's wave of chaos in American streets, Rachel Bulman began paying close attention to the faces in news reports.

She also found herself thinking about a hero -- the Black Panther.

Born in the Philippines before being adopted, the Catholic writer has -- as a daughter, wife and mother -- lived her life in White America. As a child, she didn't look like her family. Now, her children are growing up "knowing that they just don't look like everyone else. … Our family has its own story," she said.

Bulman responded by hanging images of saints from Africa, Asia, Latin America and elsewhere in their home. There was St. Josephine Bakhita from the Sudan and an icon of St. Augustine with darker skin, since his mother was from North Africa's Berber tribe. There was St. Juan Diego of Mexico, who encountered Our Lady of Guadalupe, and Sister Thea Bowman of Mississippi, the granddaughter of slaves, whose cause for sainthood has been endorsed by America's bishops.

"I wanted my children to see all kinds of saints and heroes, including some with faces kind of like their own," she said.

Bulman had also become interested in the Marvel Comics universe and the symbolic role of King T'Challa -- the Black Panther -- for millions of Black Americans, especially children. She was stunned when actor Chadwick Boseman died at age 43 after a long, private fight with colon cancer. He endured years of chemotherapy and multiple surgeries while filming "The Black Panther" and related Avenger movies.

Searching through press reports, Bulman noted colleagues referring to Boseman as a "man of faith," a "beautiful soul" and someone with a "spiritual aura" about his work with others -- including children with cancer.

At a memorial rite for Boseman, his former pastor at Welfare Baptist Church in Anderson, S.C., said the actor remained the same person he knew as a young believer.

“He's still Chad," said the Rev. Samuel Neely. "He did a lot of positive things. … With him singing in the choir, with him working the youth group, he always was doing something, always helping out, always serving. That was his personality."

Digging deeper, Bulman said she "cried all the way through" a video of Boseman's 2018 commencement address at Howard University, his alma mater.

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Baseball history includes many spiritual parables that are part of the American story

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Baseball history includes many spiritual parables that are part of the American story

Fans who crack open baseball history books are sure to find photographs of Jackie Robinson stealing home and wreaking havoc on the base paths.

It's less likely they will learn about him teaching Sunday school classes.

Nevertheless, Brooklyn Dodgers President Branch Rickey saw a connection between those skills.

When they met in 1945 to discuss breaking major-league baseball's color barrier, Rickey quoted Jesus and the Sermon on the Mount while describing the challenges ahead: "You have heard it said, 'An eye for an eye and a tooth for a tooth.' But I say to you, do not resist the one who is evil. But if anyone slaps you on the right cheek, turn to him the other also."

Rickey said: "God is with us in this, Jackie." In the movie "42," that thought turned into this memorable quip: "Robinson's a Methodist. I'm a Methodist. God's a Methodist. You can't go wrong."

This bond changed history. When broadcaster Larry King praised the Rev. Martin Luther King, Jr., as the "founder of the Civil Rights Movement," King responded: "The founder of the Civil Rights Movement was Jackie Robinson."

On one level, that's a baseball story. But it's also an example of how baseball has played a mythic, strangely spiritual role in American life, said Bryan Steverson, author of "Baseball: A Special Gift from God."

"Look at it this way. The object of baseball is to get home. And you are trying to make it home, safe. Sometimes, someone on my side may even need to make a sacrifice for me to get home, safe. Think about it," he said.

There's nothing new about scribes finding spiritual lessons in athletics, including numerous New Testament examples from St. Paul. But something about baseball's language and imagery encourages a special kind of reverence for many fans, said Steverson, a member of the Society for American Baseball Research. This unique role in the American story is especially obvious whenever baseball is missing -- due to a global pandemic or mere labor disputes.

Part of the appeal is the intricate nature of the sport's picky rules and even its structure, starting with what many scribes hail as the perfection of the diamond's 90-foot base paths. Steverson dedicated an entire book chapter to the practical and symbolic roles that the number three -- think Christian trinity -- plays in baseball.