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A lingering Theophany mystery: The 'holy water flowers' that refused to fade

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A lingering Theophany mystery: The 'holy water flowers' that refused to fade

After the Christmas season and before Lent, Orthodox priests have -- for centuries -- rushed to visit church-members' homes to bless them with prayers and splashes of holy water flung about with a foot-long brush or handfuls of basil.

Droplets of blessed water end up on beds and bookshelves, TVs and toys, potted plants and paintings, along with everything else.

"It's a chance to start over," said Father John Karcher of St. Nicholas Orthodox Church in Portland, Oregon. "We clean out the cobwebs of sin. … Then we make mistakes and muck it all up again. But we do this every year because God doesn't give up on us."

These rites flow out of the Feast of Theophany, which many Orthodox churches in America celebrate on January 6, or on January 19th for those using the ancient Julian calendar year-round. In addition to house blessings and liturgies, Orthodox clergy bless bodies of water -- rivers, lakes and oceans. In some parts of the world this requires man-sized holes cut into ice.

The feast's central message, said Karcher, is that "when Christ was baptized, he went into the waters and the waters didn't cleanse him -- it was the other way around. He blessed the waters and through them all of creation. … It's a beautiful thing. God responds to our prayers that he sanctifies the waters -- again."

In one rite, priests pray that the blessed water will provide "a fountain of incorruption, a gift of sanctification, a loosing of sins, a healing of sicknesses, a destruction of demons" so that worshippers will experience "the cleansing of souls and bodies, for the healing of sufferings, for the sanctification of homes and for every useful purpose."

The mysterious nature of these rites hit home a decade ago when Karcher led St. Innocent Orthodox Church in the Bay Area in northern California.

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1991 and 2022 columns: Mysteries lingered about religious views of Mikhail Gorbachev

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1991 and 2022 columns: Mysteries lingered about religious views of Mikhail Gorbachev

It isn't every day that one of the creators of a political thriller gets to ask its real-life protagonist to evaluate the novel's plot.

But that happened when the late Billy Wireman, president of Queens University in Charlotte, N.C., handed the last Soviet Union leader a copy of "The Secret Diary of Mikhail Gorbachev." The 1990 novel was written by journalist Frye Gaillard, based on a Wireman idea.

The plot: There were spiritual motivations behind "glasnost" and "perestroika," Gorbachev's risky ideas to restructure Soviet life. But furious KGB insiders -- including a would-be assassin -- managed to steal Gorbachev's diary, in which he confessed his Christian faith.

Wireman wrote down Gorbachev's response after hearing the book's premise: "You must have been reading my real diary."

This faith question never vanished, no matter how often Gorbachev reaffirmed his atheism, while also stressing his respect for the beliefs of his Communist father and devout Russian Orthodox mother. His maternal grandparents hid holy icons behind their home's token Vladimir Lenin portraits.

Gorbachev died on August 30 at age 91 and his funeral was held in the Pillar Hall of Russia's House of the Unions, after President Vladimir Putin denied him a state funeral. He was buried next to his wife Raisa, who died in 1999 of cancer, in the cemetery of Moscow's Novodevichy Convent.

"Regardless of the geo-political realities of that era, there was something going on inside Gorbachev," said Gaillard, writer in residence at the University of South Alabama in Mobile and former Southern editor of The Charlotte Observer. He is the author of 30-plus books, including "A Hard Rain: America in the 1960s," which won the 2019 F. Scott Fitzgerald Literary Prize.

"Why did he do it? That's the question that won't go away," Gaillard added. "That's what has fascinated people for decades and it still does. We may never know now that he's gone. … But all that speculation about his beliefs is at the heart of the book."

Gaillard traveled to the Soviet Union before writing the novel and filled many notebooks with information and images from Soviet and American insiders who, in private, were asking similar questions about Gorbachev. Russian Orthodox leaders believed his mother's faith was crucial.

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When facing cultural chaos, priests need ancient symbols and truths, not more political talk

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When facing cultural chaos, priests need ancient symbols and truths, not more political talk

Chaos is coming, so get ready.

That was the warning that -- four years ago -- iconographer and YouTube maven Jonathan Pageau offered to leaders of the Orthodox Church in America's Diocese of the South.

The French-Canadian artist was reacting to cracks in "cultural cohesion" after Donald Trump's rise to power, with wild reactions on left and right. And corporate leaders, especially in Big Tech, were throwing their "woke" weight around in fights over gender, racism, schools, religious liberty and other topics. Fear and angst were bubbling up in media messages about zombies, fundamentalist handmaidens and angry demands for "safe spaces."

Pageau didn't predict a global pandemic that would lock church doors.

But that's what happened. Thus, he doubled down on his "chaos" message several weeks ago, while addressing the same body of OCA priests and parish leaders.

"If some of you didn't believe me back then, I imagine you are more willing to believe me now," he said.

Pageau focused, in part, on waves of online conspiracy theories that have shaken many flocks and the shepherds who lead them. Wild rumors and questions, he said, often reveal what people are thinking and feeling and, especially, whether they trust authority figures.

"Even the craziest conspiracy nuts, what they are saying is not arbitrary," he said, in Diocese of the South meetings in Miami, which I attended as a delegate from my parish in Oak Ridge, Tenn.

"It's like an alarm bell. It's like an alarm bell that you can hear, and you can understand that the person that's ringing the alarm maybe doesn't understand what is going on. ... They may think that they have an inside track based on what they've heard and think that they know what is going on. But the alarm is not a false alarm, necessarily."

The chaos is real, stressed Pageau. There is chaos in politics, science, schools, technology, economic systems, family structures and many issues linked to sex and gender. It's a time when conspiracy theories about vaccines containing tracking devices echo decades of science-fiction stories, while millions of people navigate daily life with smartphones in their pockets that allow Big Tech leaders to research their every move.

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

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Icons, heroes and even one superhero: Chadwick Boseman was an unusual film star

Early in the coronavirus crisis, and this summer's wave of chaos in American streets, Rachel Bulman began paying close attention to the faces in news reports.

She also found herself thinking about a hero -- the Black Panther.

Born in the Philippines before being adopted, the Catholic writer has -- as a daughter, wife and mother -- lived her life in White America. As a child, she didn't look like her family. Now, her children are growing up "knowing that they just don't look like everyone else. … Our family has its own story," she said.

Bulman responded by hanging images of saints from Africa, Asia, Latin America and elsewhere in their home. There was St. Josephine Bakhita from the Sudan and an icon of St. Augustine with darker skin, since his mother was from North Africa's Berber tribe. There was St. Juan Diego of Mexico, who encountered Our Lady of Guadalupe, and Sister Thea Bowman of Mississippi, the granddaughter of slaves, whose cause for sainthood has been endorsed by America's bishops.

"I wanted my children to see all kinds of saints and heroes, including some with faces kind of like their own," she said.

Bulman had also become interested in the Marvel Comics universe and the symbolic role of King T'Challa -- the Black Panther -- for millions of Black Americans, especially children. She was stunned when actor Chadwick Boseman died at age 43 after a long, private fight with colon cancer. He endured years of chemotherapy and multiple surgeries while filming "The Black Panther" and related Avenger movies.

Searching through press reports, Bulman noted colleagues referring to Boseman as a "man of faith," a "beautiful soul" and someone with a "spiritual aura" about his work with others -- including children with cancer.

At a memorial rite for Boseman, his former pastor at Welfare Baptist Church in Anderson, S.C., said the actor remained the same person he knew as a young believer.

“He's still Chad," said the Rev. Samuel Neely. "He did a lot of positive things. … With him singing in the choir, with him working the youth group, he always was doing something, always helping out, always serving. That was his personality."

Digging deeper, Bulman said she "cried all the way through" a video of Boseman's 2018 commencement address at Howard University, his alma mater.

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Christian icons and art before the rise of the blue-eyed Jesus with blond hair

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Christian icons and art before the rise of the blue-eyed Jesus with blond hair

For modern skeptics, the 6th-century icon hanging in the Orthodox monastery in the shadow of Mount Sinai is simply a 33-by-18-inch board covered in bees wax and colored pigments.

For believers, this Christ Pantocrator ("ruler of all") icon is the most famous image of Jesus in the world, because the remote Sinai Peninsula location of St. Catherine's Monastery allowed it to survive the Byzantine iconoclasm era. The icon shows Jesus -- with a beard and long hair -- raising his right hand in blessing, while holding a golden book of the Gospels.

This Jesus does not have blond hair and blue eyes. "Christ of Sinai" shows the face of a wise teacher from ancient Palestine.

"When you talk about ancient icons, you are basically talking about images of Jesus with long hair, a beard and some kind of Roman toga. That's just about all you can say," said Jonathan Pageau of Quebec, an Eastern Orthodox artist and commentator on sacred symbols.

In the early church, he added, believers "didn't ask other questions -- about race and culture -- because those were not the important questions in those days. … Once you start politicizing icons there's just no way out of those arguments. You get into politics and dividing people and then you're lost."

In these troubled times, said Pageau, many analysts are "projecting valid concerns about racism and Europe's history of colonization and the plight of African-Americans back into issues of church history and art that are centuries and centuries old. It's a kind of category error and everything gets mixed up."

But that's what happened when debates about some #BlackLivesMatters activists toppling Confederate memorials -- along with attacks on Catholic statues and even insufficiently "woke" Founding Fathers -- veered into #WhiteJesus territory.

"Yes, I think the statues of the white European they claim is Jesus should also come down. They are a form of white supremacy," tweeted Shaun King, author of "Make Change: How to Fight Injustice, Dismantle Systemic Oppression, and Own Our Future."

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Modern-day Coptic martyrs: The truly ancient faith of 'The 21' beheaded in Libya by ISIS

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Modern-day Coptic martyrs: The truly ancient faith of 'The 21' beheaded in Libya by ISIS

After one trip into Libya as a migrant worker, Tawadros Youssef Tawadros reported that he had been warned that his Christian name -- "Theodore," in English -- might anger Muslim radicals.

His widow, Maleka Ayad, recalled him saying: "Anyone who starts changing his name will end up changing his faith."

Malak Ibrahim Seniut was more blunt, in a final talk with his priest. Told that Christians could be witnesses by living a long, faithful life, the young man replied: "That's not enough for me. I want to do it through death."

On Feb. 15, 2015, both were among the men beheaded by Islamic State soldiers on a beach in Libya. All 21 -- 20 Egyptian Copts and a Ghanan who professed his Christian faith -- were soon declared martyrs by the Coptic Orthodox Church. This is the latest chapter in a long drama, detailed by writer Martin Mosebach, of the German Academy of Arts.

"The Coptic Church, founded by St. Mark the Evangelist, is among the earliest manifestations of Christianity. In 1,400 years of suppression after the Islamic conquest, it has still preserved its original form and it has proven to have the most amazing vitality," he said, at an event this week in New York City, marking the release of the English edition of his book, "The 21: A Journey into the Land of Coptic Martyrs."

"The faith found in this church was and is stronger than all of the economic and social disadvantages Christians have to suffer. The Coptic Church has never been broken by political oppression. The Christianity of the first millennium is still to be found there and is … a living reality."

After immersing himself in the village culture surrounding these new saints, the Catholic author reached this conclusion: For these men, liturgy and martyrdom were "two sides of one and the same coin."

There was something truly iconic about those 21 men in orange jumpsuits kneeling on that beach, said Coptic Archbishop Angaelos of London.

Walking in Joseph's sandals

Anyone who has looked at Christmas cards knows where to find Joseph in a typical manger scene.

Just look for the humble, gray-haired man standing near the edge of the heavenly glow that surrounds Mary and the Christ child. In ancient Nativity icons, St. Joseph the Betrothed usually appears huddled in the foreground while Satan, in disguise, tempts him to doubt and despair.

Joseph is a major character in this drama, yet he remains a mystery. While filming the movie called "The Nativity Story," actor Oscar Isaac visited the Vatican and studied a tapestry of the manger scene. He kept asking himself the question actors always ask when trying to play historical figures: "What was he thinking?"

"That's the thing," said Isaac, during press events before the film's Dec. 1 release. "Joseph didn't know what to expect. I was having trouble as an actor, saying, 'How can I play that I am going to have the Son of God? I don't know what that means. It doesn't make any sense.'

"Then I realized that this was exactly what Joseph was going through."

For decades, Mary has received lots of screen time in traditional Hollywood movies dealing with the life of Jesus. New Line Cinema's attempt to create a new biblical epic is unique in that Joseph receives as much attention as Mary. Joseph's trials, doubts and decisions drive the plot.

The problem is that biblical accounts offer little information about St. Joseph, other than his standing as a "just man" from the House of David who lived in Nazareth. He is an important figure in the Nativity narratives and he was alive when Jesus was 12 and the family visited Jerusalem. According to early church traditions, Joseph was a widower who already had children -- who are mentioned in the New Testament as brothers and sisters of Jesus.

Joseph was older than Mary, but it's hard to know much more than that, said screenwriter Mike Rich.

"In the research that I did ... I quickly found that if you talked to 12 theologians about Joseph then you'll probably get 12 different stories," said Rich. "The age range that I was given in my research was everything from 25 to 90. ... I don't think there would have been a wrong decision, because of the disparity in all the viewpoints. So we just decided to go younger."

The 27-year-old Isaac, meanwhile, turned to a volume of history entitled "The Life and Times of Jesus Messiah" for clues into his character's background. Joseph is a Jewish carpenter betrothed to a girl who says an angel has told her she will give birth to the Son of God. What does that mean? Will people in Nazareth stone her? Will Mary die while giving birth? Will this be a normal child? Will legions of angels show up and begin an apocalyptic war with the Romans?

It's crucial to remember that an angel visited Mary, while Joseph had a dream reassuring him that she was telling the truth. It's safe to assume that most men -- when asked to risk life, limb and reputation -- would prefer to talk to an angel face to face, rather than rely on a mere dream, said Isaac.

"Just because God came to him in a dream didn't mean that he wasn't thinking, 'I hope that I didn't make that up. I hope that I heard God correctly,' " he said. "I think that he constantly, even up until the end, is grappling with his feelings."

The whole story changes if Joseph rebels, noted Isaac, who is Guatemalan by birth, but grew up in a multi-ethnic evangelical Protestant family in Miami. It's easy to assume that God would have found some other way. But someone had to take claim the responsibility of protecting Mary and helping raise Jesus.

Joseph is a pivotal figure, yet a humble saint who rarely receives much attention.

"There is this very interesting psychological character study here," noted Isaac. "How does a man share the woman he loves with God? That's what he has to do. He loves God with all of his heart and he loves this woman, selflessly. ... He can't just live in this little house that he's building in Nazareth. He has to, literally, share this woman. How do you wrap your mind around that as a man?"