popular culture

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Lessons learned about Christmas past -- by watching classic movies of 1940s

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Lessons learned about Christmas past -- by watching classic movies of 1940s

It's a black-and-white movie Christmas, with snow falling as joyful families mingle on city sidewalks while window-shopping -- buying food, presents, decorations and fresh-cut trees for festivities that are only two days away.

For Americans, this scene represents the ghost of Christmas past, long before suburban malls, big-box scrums and Amazon.com. And as "The Bishop's Wife" opens, an angel -- a graceful Cary Grant -- enters this 1947 tableau, smiling at carolers and children and helping the needy and lost.

"Christmas is always in danger in Christmas movies -- we'd have no reason to make such movies otherwise," wrote critic Titus Techera, executive director of the American Cinema Foundation. In this classic movie, "we have a remarkable concentration of problems in one household: A man's faith, his family, community and church … are all tied together."

It isn't unusual to find miracles, tight-knit communities, glowing churches and parables about human choices, temptation, sin and redemption in old Christmas films, said Techera, contacted by Zoom while visiting Bucharest.

That's why Techera -- a native of Romania, before his work brought him to America -- has written four online essays about the lessons learned from watching '40s movies that were remade in the '90s. The other films in this Acton Institute series are "The Shop Around the Corner," "Miracle on 34th Street" and "Christmas in Connecticut."

There's a reason many modern Americans keep watching these movies, he said. Some yearn for a time before most Americans became so isolated, separated by jobs far from extended families, sprawling suburban neighborhoods and all the paradoxes built into digital networks that were supposed to keep people connected.

"What we see in these movies is a time when Christmas was a far less commercial celebration and there was quite a bit of continuity with traditions from the past. … For many, the church was part of that," he said. "Christmas was a family thing. It was a community thing. … Commerce was more subservient to ordinary life. Commerce had not taken over all of life, including Christmas."

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This is good for Judaism? Tis the season for lots and lots of Hanukkah junk

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This is good for Judaism? Tis the season for lots and lots of Hanukkah junk

It's hard to do justice to ancient holy days in throw-pillow slogans.

Consider the Zazzle item offering a menorah with an un-orthodox number of candles, along with: "Imagine if your cellphone was at 10% but lasted 8 days. Now you understand Hanukkah."

Maybe not. Or how about the Bed, Bath & Beyond pillow stating: "Why is this night different from all other nights? Happy Hanukkah."

Actually, that's the most famous question from rites during a Passover Seder dinner.

"There's no quality control with any of this stuff. No one's being careful with decisions about what's good and what's bad," said journalist Mira Fox of the Forward, a progressive Jewish website. "The point is to sell stuff. It doesn't need to be good stuff. It's just stuff.

"Basically, it's a lot of people saying, 'We can find a way to sell stuff to Jews during the holidays, along with selling lots of stuff to everybody else.' "

Hanukkah began rather early this year, starting at sundown this past Sunday (November 28) and extending for eight days. This placed the "Festival of Lights" closer to Thanksgiving -- near the start of the merchandizing frenzy known as The Holidays.

The story at the heart of this home-centered season dates to 165 B.C., when Jews, led by the Maccabee family, defeated Greek and Syrian oppressors. When the victors reentered their temple, only one container of ritually pure oil could be found for its eternal flame. Tradition says this one-day supply burned for eight days. Thus, Jews light menorah candles during Hanukkah, one on the first night, increasing to eight.

"It's not a biblical holiday. Hanukkah is not in the Hebrew Bible. … God is not a huge part of this story," said Fox. "Honestly, I don't think a lot of people understand what this holiday is about."

That's certainly true in the American marketplace.

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What shaped the mysterious mind (and soul) of comedian Norm Macdonald?

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What shaped the mysterious mind (and soul) of comedian Norm Macdonald?

While debating heretics, early Christians used the Greek term "hypostasis" -- meaning "substance" and "subsistence" -- to help define their belief in the Incarnation of Jesus as one person, yet with divine and human natures.

This "hypostatic union" is not the kind of subject a comedian typically raises on a TV talk show while chatting about mortality with a Hollywood legend. Then again, Norm Macdonald -- who died on September 14 after a secret nine-year fight with cancer -- wasn't a typical funny man. He openly identified as a Christian, while making it clear that he didn't consider himself a very good one.

During an episode of "Norm Macdonald has a Show," the former Saturday Night Live star asked Jane Fonda -- who at one point briefly embraced evangelical Christianity -- this question: "Are you a religious person?"

"I have faith," said Fonda. The host quickly asked, "In Jesus Christ?" Hesitating, Fonda called herself "a work in process," saying she accepted "the historical Jesus."

Macdonald responded: "But do you believe in the hypostatic Jesus?"

When Fonda said "no," he added, "So, you're not a Christian. But you believe, you believe in something."

Raised vaguely Protestant in Canada, Macdonald didn't discuss the brand-name specifics of his faith, even as he wrestled with his own demons -- such as habitual gambling. Yet he could be stunningly specific when addressing criticisms of Christian beliefs. As a judge on NBC's "Last Comic Standing," he quietly shot down a contestant who trashed the Bible, before praising the Harry Potter series.

"I think if you're going to take on an entire religion, you should maybe know what you're talking about," said Macdonald. "J.K. Rowling is a Christian, and J.K. Rowling famously said that if you're familiar with the scriptures, you could easily guess the ending of her book."

The result was a public persona laced with paradoxes, an edgy, courageous comic who often seemed unconcerned if his work pleased the public or his employers.

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Lou Grant failed in his attempt to hire a new religion reporter: But who cared?

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Lou Grant failed in his attempt to hire a new religion reporter: But who cared?

If anyone ever writes a book about the history of religion news in the mainstream press it will need to include a photo of the glowering, and often smirking, mug of Lou Grant.

Lou Grant was a TV character, of course, played by the Emmy-winning actor Ed Asner, who died on Sunday (August 29) at age 91. But for millions of Americans, he provided -- in "The Mary Tyler Moore Show" and the sequel "Lou Grant" -- an archetypal image of what old-school journalism was all about.

One 1977 "Lou Grant" episode certainly captured some of the attitudes I encountered while interviewing journalists for my 1982 graduate project at the University of Illinois in Urbana-Champaign, which focused on why few newsrooms made serious attempts to cover religion events and trends -- unless they were linked to politics.

Quite a few editors sounded like Lou Grant.

In this episode, entitled "Sect," the city editor of the mythical Los Angeles Tribune was wrestling with two problems at the same time. The problems seemed to be unrelated.

First, the Trib had lost its veteran religion editor. Grant searched and searched, but no one was interested in filling that empty desk. After all, what self-respecting journalist wanted to be stuck with the religion beat?

Problem number two was how to get rid of lazy, often-drunk, no-good reporter Mal Cavanaugh. All through this episode the newsroom's leaders had been searching for a way to get Cavanaugh to resign. Then came a spark of inspiration. The printed script is simple:

LOU: Well, Mal, you've been with this paper a mighty long time. As you say, this is your family.

CAVANAUGH: (All that humility) Aw, well, it's nice to be appreciated.

LOU: And I think I've found a place where we'll be able to use that special, sweet style that is Mal Cavanaugh.

CAVANAUGH: (Those eyes are getting moist; he sees himself getting a column) What's that, Lou?

LOU: Congratulations, Mal. You're the Trib's new religion editor.

(Lou sits back beaming. The information seeps in a bit slowly on Cavanaugh, who blinks at Lou.)

CAVANAUGH: Religion editor?

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Aliens in the news: Are UFOs a threat to traditional forms of religious belief?

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Aliens in the news: Are UFOs a threat to traditional forms of religious belief?

The first episode of the "Ancient Aliens" cable-TV series promised to show that the growth of intelligent life on this planet had help that came from the stars.

The Prometheus Entertainment summary in 2010 asked: "If ancient aliens visited Earth, what was their legacy, and did they leave behind clues" that still exist?

The bigger question, nearly 200 episodes later, is whether aliens provided the building blocks of life itself. That's the kind of subject -- both theological and scientific -- that surfaces whenever there are debates about whether extraterrestrial life exists.

It's one thing for a recent U.S. national intelligence report -- "Preliminary Assessment: Unidentified Aerial Phenomena"-- to discuss incomplete technical data and the possibility of hostile spy drones. It was something else to say that experts had no scientific explanations for 140-plus reported "UAP" episodes.

The summary noted that 18 mysterious objects "appeared to remain stationary in winds aloft, move against the wind, maneuver abruptly or move at considerable speed, without discernable means of propulsion."

This raised familiar questions for those who have followed decades, even centuries, of debates about these mysteries: Who created these objects? Who created the beings who created them? Should this planet's religious leaders worry?

"The logic is that many people assume life is special, that human beings are uniquely purposed and created in God's image and that this life -- life made in God's image -- cannot exist anywhere else," said Stephen C. Meyer, who has a doctorate in the philosophy of science from Cambridge University. He is known for writing controversial books, such as "Signature in the Cell: DNA and the Evidence for Intelligent Design" and the new "Return of the God Hypothesis."

Many experts seem to think Christianity has explicit doctrines on this matter, he added, but "that's not a sound judgement, since there's no explicit Christian teaching on the subject -- unless we have now taken C.S. Lewis as canonical."

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

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Chris Hillman of the Byrds sings (and writes) about faith, fame and musical ties that bind

The Byrds' classic "Turn! Turn! Turn!" didn't sound like anything on the radio when it hit No. 1 on the Billboard charts in 1965.

For starters, the lyrics came from the Book of Ecclesiastes, noting "there is a season, and a time for every purpose, under Heaven. A time to be born, a time to die. A time to plant, a time to reap. A time to kill, a time to heal. A time to laugh, a time to weep."

What critics failed to realize, said Byrds co-founder Chris Hillman, was that covering the late Pete Seeger's classic was a logical move for musicians steeped in American roots music. Songs about struggle, glory, sacrifice and faith were common in early '60s folk concerts.

"Where did all of our music come from? Blues and Gospel. … White church, black church, the music all came from church," said Hillman, in a recent interview. "With the Byrds, we went right to that well. We didn't think twice about it. We didn't say, 'We can't do a Christian song.' "

Hillman's musical roots became more obvious as the Byrds ventured into what many started calling "country rock," especially with the landmark "Sweetheart of the Rodeo" album in 1968. Bluegrass, country and Gospel themes played a larger role as Hillman began writing songs for the Byrds and his later bands.

While the Byrds put him in the Rock & Roll Hall of Fame, it was Hillman's grassroots connections that made history, according to the legend who produced his "Bidin' My Time" solo project in 2017. The late Tom Petty said: "Chris was a true innovator -- the man who invented country rock. Every time the Eagles board their private jet, Chris at least paid for the fuel."

That musical and spiritual journey is clear in Hillman's recent autobiography, "Time Between," with its mix of rock lore and personal reflections. Rather than offering a tell-all about sex, drugs and rock 'n' roll, Hillman focuses on lessons he learned along the way and his love for the musicians who, flaws and all, helped him.

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Bob Dylan at 80: Still telling tales about divine judgment in a broken, fallen world

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Bob Dylan at 80: Still telling tales about divine judgment in a broken, fallen world

Night after night, Bob Dylan's 1979 Gospel concerts at San Francisco's Warfield Theatre made news for all the wrong reasons, according to angry fans.

The November 11th show opened with Dylan roaring into "Gotta Serve Somebody" from "Slow Train Coming," the first of what Dylanologists called his "born-again" albums.

"You may be a businessman or some high-degree thief," he sang. "They may call you doctor, or they may call you chief, but you're gonna have to serve somebody. … Well, it may be the Devil, or it may be the Lord, but you're gonna have to serve somebody."

To add insult to injury, these concerts included fiery sermons by Dylan, while he avoided classic songs that made him a legend.

"I was 19 years old and that was my first Dylan concert," recalled Francis Beckwith, who teaches Church-State Studies at Baylor University. "The atmosphere was highly charged. Some people booed or walked out. … There were people shouting, 'Praise the Lord!', but you could also smell people smoking weed."

Beckwith kept going to Dylan concerts, while following years of reports about whether the songwriter was still a Christian, had returned to Judaism or fused those faiths. These debates will continue as fans, critics, scholars and musicians celebrate Dylan's 80th birthday on May 24th.

With a philosophy doctorate from Fordham University in New York and a law degree from Washington University in St. Louis, Beckwith is certainly not a conventional music critic. He made headlines in 2007 when -- while president of the Evangelical Theological Society -- he announced his return to Catholicism.

To mark that birthday, Beckwith is publishing online commentaries on what he considers Dylan's 80 most important songs. The Top 10: "Like a Rolling Stone," "My Back Pages," "Stuck Inside of Mobile With the Memphis Blues Again," "Mr. Tambourine Man," "Visions of Johanna," "Tangled Up in Blue," "Blowin' in the Wind," "Precious Angel," "It's Alright, Ma (I'm Only Bleeding) and "Desolation Row."

Beckwith considered three factors -- popularity, lasting cultural significance and, finally, whether each song was "something I could listen to over and over." He stressed that Dylan's entire canon includes images and themes rooted in scripture and faith.

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

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Tyler Perry preaches tolerance to 'woke' congregation assembled for 2021 Oscar rites

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.

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'It is well, with my soul': This hymn (and others) hit home during a painful 2020

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'It is well, with my soul': This hymn (and others) hit home during a painful 2020

It's a hymn that the faithful start singing whenever a Baptist church organist plays the opening chords -- because everyone knows it by heart.

All together now: "When peace like a river attendeth my way. When sorrows like sea billows roll. Whatever my lot, Thou hast taught me to say. … It is well, it is well, with my soul."

Chicago attorney Horatio Spafford wrote those words after losing his son to scarlet fever and then, a few years later, all four of his daughters in an 1873 shipwreck. His wife, Anna, survived and her telegram home from England began: "Saved alone. What shall I do?"

No one should be surprised that worship leaders frequently turned to "It Is Well With My Soul" as their people wrestled with the coronavirus pandemic, said the Rev. Roger O'Neel, who teaches in the worship and music program at Cedarville University in Ohio.

"People were feeling their way in 2020," he said. "It wasn't just the pandemic and people being locked down worshipping in (online) streamed services. We were also facing all the bitter political conflicts in our nation and the racial divisions that we were experiencing. …

"People were trying to find hymns that would speak to all of that, to the pain that everyone felt last year."

Faithlife, a Bellingham, Wash., company that publishes online worship and Bible study tools, recently released a report covering 2020 trends spotted in its Proclaim software. "It Is Well With My Soul" topped the hymns list, with usage increasing 68% after the pandemic hit.

The classic hymn "Great Is They Faithfulness" came next, with a 64% increase. It begins: "Great is Thy faithfulness, O God my Father, there is no shadow of turning with Thee; Thou changest not, Thy compassions, they fail not. As Thou hast been, Thou forever wilt be. Great is Thy faithfulness! … Morning by morning new mercies I see; All I have needed Thy hand hath provided -- great is Thy faithfulness, Lord, unto me."