Voters at the Toronto International Film Festival created a stir in 2006 when they gave the long-shot drama "Bella" the People's Choice Award, a prestigious salute that often precedes Oscar nominations. 

Then critics began focusing on a key detail: The unmarried waitress at the heart of the indie flick's plot struggles to decide whether to have an abortion, but then decides not to after being befriended by Jose, a former soccer star with a complex, tragic past. Also, the film was drawing public support from pro-life groups, including the U.S. Conference of Catholic Bishops. 

Was this a "Christian," or even "anti-abortion" movie? Meanwhile, a New York Times review called "Bella" a "mediocre cup of mush" and an "urban fairy tale." 

"The minute someone wrote that this was a 'pro-life' movie, there were some people who set out to destroy it," said Eduardo Verastegui, who played Jose. "We saw 'Bella' as a movie about faith and family in Latino communities and the importance of relationships built on respect. … But soon people were talking about the labels, instead of our movie." 

 Now the same creative team is back with "Little Boy," an indie film about faith, family, friendship and the ties that bind, along with one or two near-miraculous plot twists. Once again, writer-director Alejandro Monteverde, actor-producer Verastegui and other "Bella" veterans are headed into the tense territory that divides theater seats and sanctuary pews. "Little Boy" hits theaters on April 25, after early screenings backed by churches, veterans groups and nonprofits that help the poor and homeless.