J.R.R. Tolkien

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Why fairy stories still matter, in an age of secular myths and marvels

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Why fairy stories still matter, in an age of secular myths and marvels

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life. In addition to the White Horse, viewers follow Lewis into the historic Magdalen College library, a tutor's campus suite and, most importantly, The Kilns -- the home where Lewis lived for decades with his older brother Warren and, briefly, with his cancer-stricken wife, the American poet Joy Davidman.

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Hey preachers: Can you spot the God-shaped hole at heart of the 'Avengers' universe?

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Hey preachers: Can you spot the God-shaped hole at heart of the 'Avengers' universe?

As most occupants of Planet Earth know, last year's "Avengers: Infinity War" ended with the genocidal demigod Thanos using six "infinity stones" to erase half of all life in the universe.

It would have been logical to assume the sequel, "Avengers: Endgame" would start with lots of funerals, with pastors, priests, rabbis, imams and other shepherds working overtime to answer tough, ancient questions.

That assumption would be wrong.

"People are mourning, but they're going to therapy and support groups," said film critic Steven Greydanus of DecentFilms.com, also a permanent deacon in the Catholic Archdiocese of Newark. "What we don't see are grieving people in church or even at funerals. … We don't hear anyone asking, 'Where is God in all of this?' "

It's rare to hear the theological term "theodicy" in movies, but people who frequent multiplexes often hear characters suffer tragic losses and then ask, "Why did God let this happen?" The American Heritage Dictionary defines "theodicy" as a "vindication of God's goodness and justice in the face of the existence of evil."

This God-shaped hole at a pivotal moment in the "Avengers" series offers a window into the soul of the Marvel Comics universe and the minds of executives who shaped most of the 22 movies in this giant pop-culture mythology, said Greydanus.

"We are talking about a major fail, and not just from an artistic point of view," he said. "This shows a stunted view of how most people on Earth live their lives. Even people who are not religious tend to cry out and ask the big spiritual questions when faced with tragedy and loss. That's part of what it means to be human."

Not that many consumers are complaining. In it's first 11 days, "Avengers: Endgame" pulled in $2.19 billion at the global box office -- the fastest a film has reached $2 billion. Many insiders now assume it will eventually break the $3 billion barrier, passing the current No. 1 movie, the environmental-fantasy epic "Avatar," at $2.78 billion.

Truth is, global-market realities now affect how many blockbusters handle explicitly religious and even vaguely spiritual questions.

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Lessons about faith and modern parenting, from heroes of the Czech resistance

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Lessons about faith and modern parenting, from heroes of the Czech resistance

PRAGUE -- No matter what was happening outside their apartment walls, Kamila Bendova pulled her six children together every day and read to them for two hours or more.

It didn't matter if the Communists had imprisoned her husband -- the late Vaclav Benda, a leading Czech dissident and Catholic intellectual. It didn't matter that state officials had bugged their flat near the medieval heart of the city. It didn't matter if a friend showed up after being tortured at the secret police facility a block away.

The Benda family faithfully observed the rites that defined their lives inside its second-floor apartment, a site the Czech Republic has marked with a memorial plaque at sidewalk level. Every day, they prayed together, studied together and found ways to enjoy themselves -- while doing everything they could to show others there was more to life than the rules of a paranoid police state.

"I was never good at playing with the children, so I read to them. … That worked for me," quipped Bendova, who, like her husband, earned a doctorate in mathematics. Father Stepan Smolen, a Catholic priest close to the family, served as a translator during a recent meeting with Bendova and two of her adult children.

The family had plenty of books to read. The walls of the Benda apartment, where Kamila Bendova still lives, are lined -- from the floorboards to the high ceilings -- with bookshelves containing 10,000 books and snapshots of her 21 grandchildren. 

The Benda children were especially fond of J.R.R. Tolkien's "The Lord of the Rings," for reasons the family considers obvious. They were the hobbits and, living in a totalitarian state, they knew that "Mordor was real," said Bendova.