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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

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The complicated story of C.S. Lewis becoming a convert -- on screen, in his own words

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life. In addition to the White Horse, viewers follow Lewis into the historic Magdalen College library, a tutor's campus suite and, most importantly, The Kilns -- the home where Lewis lived for decades with his older brother Warren and, briefly, with his cancer-stricken wife, the American poet Joy Davidman.

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C.S. Lewis: Still too popular after 50 years

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Even though it has been 50 years since his death, the faithful at Headington Parish Church in Oxford, England, are constantly reminded of the loyal, but rather quiet, parishioner who always occupied the same short pew hidden by a sanctuary pillar. Going to church was never easy for C.S. Lewis, even before he became one of the world's most famous Christian writers, noted the Rev. Angela Tilby, in a recent service in memory of the Oxford don's death on Nov. 22, 1963 -- the same day as the death of British author, Aldous Huxley, and, of course, President John F. Kennedy.

Lewis considered church organ music far too grand and thought the words of most popular hymns were "a literary disgrace," said Tilby. Illogical sermons irritated him no end and he was highly critical of liberal trends in theology and biblical scholarship. As a former atheist, Lewis believed that far too many people in the modern world were slipping into an "easy," "fashionable" agnosticism.

In particular, Lewis was "aware of the way belief in an afterlife had come to be ridiculed by critics of Christianity as 'pie in the sky when you die' -- an imaginary compensation for those who had a raw deal in this life," she said, in a service broadcast on BBC Radio. "Lewis' response was to argue that hope for a better world could never deliver unless it was grounded in something more than the here and now."

Lewis lived to see his popular fiction -- especially "The Screwtape Letters" and "The Chronicles of Narnia" -- become bestsellers in England, America and around the world. Meanwhile, most of his Oxford University colleagues rolled their eyes at what they considered the merely popular Christian apologetics of his BBC commentaries and books such as "Miracles," "The Problem of Pain" and "Mere Christianity."

The bottom line: Lewis was considered a dinosaur from an earlier age and far too popular to be taken seriously. Half a century later, that verdict remains popular among many academics and liberal religious leaders.

Yet half a century after his death, to the day, a small stone marker in honor of Lewis was added in the Poets' Corner of Westminster Abbey, in the south transept near a variety of memorials for Geoffrey Chaucer, Shakespeare, Jane Austen, Charles Dickens, John Milton, John Keats and many others.

Meanwhile, the entire Lewis canon is as popular as ever, with so many books in print, with so many publishers, that researchers struggle to total the numbers. More than 100 million copies of the seven Narnia books have sold worldwide, in 40 languages. HarperOne's C.S. Lewis Signature Classics series -- the non-Narnia Lewis works -- was created in 2001 and sales are nearing 10 million volumes. An estimated 18 million copies of "Mere Christianity" have sold in the United States alone since its publication in 1952.

Memorial stones are fitting, but it's significant that Lewis is best known for his books, said the Rev. Alister Edgar McGrath of King's College in London, who will soon return to Oxford to teach science and religion. He is the author of the recent "C. S. Lewis -- A Life: Eccentric Genius, Reluctant Prophet."

"In the 1930s, Lewis declared that a writer is not a spectacle, who says, 'Look at me!' Rather, a writer is more like a set of spectacles, who says, 'Look through me.' ... The Christian faith, Lewis discovered, gave him a lens that brought things into focus," said McGrath, in the text for his sermon during the Headington Parish service.

This focus -- in his writing, in the classroom and in life -- included an unashamed belief in the reality of heaven and eternal life. Yet Lewis argued that focusing on heaven was the best way for believers to be truly serious about the actions and decisions that make up everyday life.

The ultimate goal for Lewis, said McGrath, was to "raise our horizon and elevate our expectations, and then to behave on earth in the light of this greater reality. ... The true believer is not someone who disengages with this world in order to focus on heaven, but the one who tries to make this world more like heaven.

"Lewis is surely right when he declared that the 'Christians who did most for the present world were just those who thought most of the next.'"