First person

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Priest, firefighters rush into Notre Dame Cathedral to save what could not be replaced

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Priest, firefighters rush into Notre Dame Cathedral to save what could not be replaced

As the flames rushed through Notre Dame Cathedral's wooden rafters -- each beam cut from an individual oak -- a squad of firefighters began a strategic mission.

Their leader was Father Jean-Marc Fournier, chaplain of the Paris Fire Brigade. The goal was to save a crown of thorns that pilgrims have venerated for centuries as part of one worn by the crucified Jesus. King Louis IX brought the relic to Paris in 1238, after receiving it as a gift from the embattled emperor of Constantinople.

Fournier and his firefighters were, according to KTO Catholic Television, able to "save the crown of thorns and the Blessed Sacrament." Forming a human chain, they retrieved as many relics and works of sacred art as they could, until the flames won.

Meanwhile, American television networks solemnly told viewers that "art," "artifacts" and "works of art" had been retrieved from this iconic structure at the heart of Paris. In a major story about the fire, The New York Times noted that Notre Dame Cathedral had "for centuries … enshrined an evolving notion of Frenchness."

That's an interesting way to describe the world's second most famous Catholic cathedral, after St. Peter's in Rome. Then again, is a container of what Catholics believe is bread consecrated to be the Body of Christ best described as a "cultural artifact"? Is "in shock" the best way to describe Parisians praying the Rosary and singing "Ave Maria"?

For several decades, I have been asking these kinds of questions while covering religion news and studying how our mass media struggle with religion. This past week marked my 31st anniversary writing this national "On Religion" column.

Was the Notre Dame catastrophe a "religion" story or a drama linked to cultural changes in post-Christian France? I think the answer is "yes" -- to both.

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

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Striving to build the Kingdom of Heaven with timber, stucco, brick and iron

When Andrew Gould began designing a sanctuary for Holy Ascension Orthodox Church in Charleston, S.C., he started by creating an imaginary backstory for the parish.

Instead of beginning with a circle of Orthodox families and converts in 1996, the art historian and architect imagined that a community of Russian immigrants had moved to Charleston in the mid-19th century. They looked at the city's famous mix of Southern warmth, Colonial style and coastal, Mediterranean influences and then built a church that was thoroughly Orthodox -- but fit into Charleston.

Working with local materials as much as possible, Gould designed a Byzantine church, but with a copper roof, plenty of exposed Heart Pine wood and stucco masonry painted in a gold-yellow tint common in historic Charleston. Then he included a unique saw-tooth cornice design, using local brownish-red brick, a pattern that had the added advantage of resembling traditions in Russia.

"I kept asking myself, 'What parts of Charleston's architecture could be baptized into Orthodoxy? What if this church had been built by Russians long ago and it's been here ever since and it looks totally at home in Charleston?", he said, describing the 2004 project that opened a new stage of his career.

"I have a kind of romanticized fantasy about the history of these churches and I have used this technique in other places. Keeping this kind of story in mind keeps me focused on what I'm trying to accomplish."

This goal shapes the work that Gould and other artisans do with his New World Byzantine Studios in Charleston, whether it's designing an entire church, one of his massive, circular ironwork chandeliers or other forms of liturgical art and church supplies. The goal is to maintain ancient forms and traditions, while blending in cultural, historical influences seen in life in a specific region.

For example, what would a Pueblo-style monastery in New Mexico look like if it were Orthodox, instead of Catholic, and featured altar cloths, carvings and icon-stand decorations influenced by Native American culture?

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Memory eternal -- Preacher Jess Moody

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Memory eternal -- Preacher Jess Moody

Months after the end of World War II, leaders of Youth for Christ sent evangelists to work in the battered cities of Europe.

The rally teams were led by two of the new ministry's rising stars. The preacher in southern Europe was the Rev. Billy Graham of North Carolina and, in northern Europe, the Rev. Jess Moody of Texas filled that role.

That says something about the oratorical skills of Moody, whose life story was later turned into a Gospel Films feature called "Riding the Pulpit."

So it was no surprise that Moody later served as president of the Pastors' Conference of the Southern Baptist Convention and, in 1969, was asked to address tensions in the Vietnam War era. Moody's sermon -- "The Christian and War" -- left many pastors stunned and others infuriated.

"My country is sick and cannot seem to get well," he roared, offering what he called a "personal paraphrase" of the Prophet Jeremiah. "My countrymen have not been ashamed when they commit all kinds of hell-raising. … It has become impossible for them to blush. This means they are going to fall."

Then Moody veered into another life-and-death issue affecting those committed to ministry in urban America.

"This is my blood I'm spilling in this sermon," he said. "I've been loyal to this convention for the past 25 years and I intend that every breath I take of God's free air will be a Baptist breath, but you listen. … It takes the black and the white keys to play the Star Spangled Banner! And you can't do it without both.

"We must solve the problem of racial hatred within the next 10 years or prepare to become the dinosaurs of the 21st century."

Moody died last month at the age of 93, after several decades out of the spotlight. He lived to see Southern Baptists slowly, but surely, denounce the sin of racism. In 1995 the SBC repudiated "historic acts of evil such as slavery from which we continue to reap a bitter harvest, and we recognize that the racism which yet plagues our culture today is inextricably tied to the past." America's largest Protestant flock apologized to African-Americans for "condoning and/or perpetuating individual and systemic racism in our lifetime."

Tensions lingered, and in 2017 the SBC made headlines by repudiating "white supremacy and every form of racial and ethnic hatred as a scheme of the devil" that continues to attack America, while urging advocates of "racist ideologies" to repent.

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A thousand years of Orthodoxy history loom over today's Moscow-Istanbul clash

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A thousand years of Orthodoxy history loom over today's Moscow-Istanbul clash

The great prince Vladimir had a problem in the year 986, while striving to build unity in the Kievan Rus, his network of Eastern Slavic and Finnic tribes.

The old pagan gods and goddesses were not enough. So the prince dispatched ambassadors to investigate Islam, Judaism, Catholicism and the Orthodox faith of the Christian East.

When they returned to Kiev, their report included this passage about Byzantium: "We went into the Greek lands, and we were led into a place where they serve their God, and we did not know where we were, in heaven or on earth. … All we know is that God lives there with people and their service is better than in any other country. … We cannot remain any more in paganism."

So Vladimir surrendered his concubines and was baptized in 988, while commanding his people to convert. Orthodoxy came to the lands of the Rus.

This early chronicle was, according to church tradition, written by St. Nestor of the great Kiev-Pechersk Monastery, founded in 1051. Pilgrims continue to flock to the Monastery of the Kiev Caves to see its beautiful churches, soaring bell tower, the labyrinthine underground tunnels and the incorrupt bodies of many saints.

Note the importance of the word "Kiev" in that spiritual and national narrative.

"Just as the original Church in Jerusalem is the mother of all Orthodox Churches around the world, including the Patriarchate of Constantinople some 300 years later, so the venerable see of Kiev in Kievan Rus in the tenth century is the mother of the Churches in all the East Slavic Orthodox lands -- including the current nation-states of Ukraine, the Russian Federation and Byelorussia," explained the Very Rev. Alexander Webster, dean of Holy Trinity Seminary in upstate New York. This seminary is part of the Russian Orthodox Church Outside Russia.

"Kiev is the Russian Orthodox Church," he said, "and the Russian Orthodox Church is Kiev."

Nevertheless, Ecumenical Patriarch Bartholomew I has taken the first step to establish an independent, or "autocephalous," Orthodox church in Ukraine. The Holy Synod of the Russian Orthodox Church responded by breaking "Eucharistic communion" with Istanbul.

Speaking as an Orthodox convert (I joined the ancient Antiochian Orthodox Church and now attend a Bible Belt parish with Russian roots), I think it's important for anyone following this byzantine drama to know that:

* The historic ties between Kiev and Russian Orthodoxy are more than talking points in arguments involving the United States, the European Union, the government of Russian President Vladimir Putin and Ukrainian President Petro Poroshenko.

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Lessons about faith and modern parenting, from heroes of the Czech resistance

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Lessons about faith and modern parenting, from heroes of the Czech resistance

PRAGUE -- No matter what was happening outside their apartment walls, Kamila Bendova pulled her six children together every day and read to them for two hours or more.

It didn't matter if the Communists had imprisoned her husband -- the late Vaclav Benda, a leading Czech dissident and Catholic intellectual. It didn't matter that state officials had bugged their flat near the medieval heart of the city. It didn't matter if a friend showed up after being tortured at the secret police facility a block away.

The Benda family faithfully observed the rites that defined their lives inside its second-floor apartment, a site the Czech Republic has marked with a memorial plaque at sidewalk level. Every day, they prayed together, studied together and found ways to enjoy themselves -- while doing everything they could to show others there was more to life than the rules of a paranoid police state.

"I was never good at playing with the children, so I read to them. … That worked for me," quipped Bendova, who, like her husband, earned a doctorate in mathematics. Father Stepan Smolen, a Catholic priest close to the family, served as a translator during a recent meeting with Bendova and two of her adult children.

The family had plenty of books to read. The walls of the Benda apartment, where Kamila Bendova still lives, are lined -- from the floorboards to the high ceilings -- with bookshelves containing 10,000 books and snapshots of her 21 grandchildren. 

The Benda children were especially fond of J.R.R. Tolkien's "The Lord of the Rings," for reasons the family considers obvious. They were the hobbits and, living in a totalitarian state, they knew that "Mordor was real," said Bendova.

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Larry Norman: Trapped in Contemporary Christian Music walls he helped create? (Part 2)

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Larry Norman: Trapped in Contemporary Christian Music walls he helped create? (Part 2)

When Larry Norman died in 2008 there was one thing the critics -- secular and religious -- agreed on: The controversial singer and music maven helped create the "Contemporary Christian Music" industry.

For Norman, that was not good news.

"In China, if you become a Christian, you may be imprisoned," said Norman, offering a cynical aside during his last concert, in New York City. Seven months later, his fragile heart failed one last time.

"In India, your parents may disown you. In the Middle East, they might execute you. But in America, if you become a Christian, you just have a broader selection of Christian CDs to choose from."

Norman lived to see the fiery folk-rock style he pioneered in the early 1970s -- part "Jesus Movement" evangelism, part social-justice sermons -- evolve into a suburb-friendly genre in which "Christian" was attached to safe versions of old fads in mainstream music.

The album Norman considered his bravest -- "So Long Ago the Garden" -- infuriated many "CCM" consumers because of its symbolic, mysterious language. Then there was the semi-nude, Edenic cover image of the singer.

While writing his Norman biography, "Why Should the Devil Have All the Good Music," philosopher Gregory Alan Thornbury dug into the singer's papers and found an impassioned defense of that album, in a letter to angry fans.

"All of the songs I write are Christian songs, because I am a Christian," wrote Norman. "Is a man any less a Christian because he is a car mechanic instead of an evangelist? … Some people are so conditioned that if a song doesn't have some religious clues like 'blood of the lamb' or 'the cross,' they are unsure of its spiritual qualification."

Part of the problem, said Thornbury, is that Norman had "a glorious way of speaking out of both sides of his mouth. He never wavered from his desire to write Jesus songs. …Yet at the same time, he was constantly blasting Christian music people about making music that was propaganda -- with no art, or poetry, or mystery at all. …

"Larry thought you could be very, very clear on Jesus and the Gospel and, at the same time, go way out there on the edge in terms of art."

Alas, it was hard to be a commercial, secular success while doing both those things.

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Larry Norman and the never-ending culture wars over 'Christian' music and art (Part I)

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Larry Norman and the never-ending culture wars over 'Christian' music and art (Part I)

When Larry Norman released "Upon This Rock" in 1969, its rock-star sizzle and blunt faith put the album in the soundtrack for millions of lives as the "Jesus Movement" revival surged onto the cover of Time magazine.

Music industry pros were used to hearing The Beatles on Capitol Records. Now there was a longhaired guy on the same label belting out: "Sing that sweet, sweet song of salvation to every man and every nation. Sing that sweet, sweet song of salvation and let the people know that Jesus cares."

Norman's work did more than shake up church youth meetings. His early success convinced some Gospel music executives to turn up the drums and guitar solos. Soon, "Contemporary Christian Music" grew into a billion-dollar industry with its own written and unwritten rules.

Now it was time for Norman to freak out Christians as much as he did secular-music people in the early years when he shared concert bills with Janis Joplin, The Doors, The Who and others. What were Christian radio stations supposed to do with "The Great American Novel," a song that addressed racism, war, poverty and other hot-button topics?

"You kill a black man at midnight just for talking to your daughter, then you make his wife your mistress and you leave her without water," sang Norman. "And the sheet you wear upon your face is the sheet your children sleep on, at every meal you say a prayer; you don't believe but still you keep on."

Norman "overloaded lots of people's circuits" and, eventually, even his own, according to philosopher Gregory Alan Thornbury, author of a new biography named after one of Norman's most famous tunes -- "Why Should the Devil Have All the Good Music?" The subtitle hints at future darkness: "Larry Norman and the Perils of Christian Rock." Norman died in 2008 at the age of 60.

Thornbury calls Norman the "Forrest Gump," a true "holy fool," of American evangelicalism. The scholar — and guitar player — doesn't hide Norman's struggles in business and his private life, adding a painful backstory to a career that put the singer shoulder to shoulder with everyone from the Rev. Billy Graham to President Jimmy Carter, and lots of colorful people in between. As a young man, Vice President Mike Pence was born again at a Christian rock festival -- headlined by Norman.

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30 years of 'On Religion' -- Billy Graham, Shirley MacLaine and better religion news

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30 years of 'On Religion' -- Billy Graham, Shirley MacLaine and better religion news

Through the decades, the Rev. Billy Graham was known for saying three words over and over -- "The Bible says."

But the world's most famous evangelist quoted another authority during his 1994 speech to the American Society of Newspaper Editors -- Shirley MacLaine. A year earlier, Graham noted, the actress, and spiritual adventurer told the editors that religion plays a major role in news worldwide and that it's high time for journalists to accept that.

"What has happened to us?", asked MacLaine. "Why is the discussion of spirituality considered so publicly embarrassing, sentimental or, God forbid, New Age? Why does it make us squirm, when our own founding fathers recognized the spiritual aspect of man as his most fundamental?''

"Amen," said Graham. Journalists and preachers, he stressed, both communicate news about what's happening in life and culture. Both care about people and truth. Both care about injustice, racism and corruption.

"I believe that this is why the founding fathers included both freedom of religion and freedom of the press in the same First Amendment," he added. "In the long run, the loss of one freedom will bring about the loss of the other."

It isn't every day that a religion writer gets to quote Billy Graham and Shirley MacLaine making essential points about journalism.

Then again, this isn't just another column for me. This week marks my 30th anniversary writing this national "On Religion" column. The first piece ran on April 11, 1988 and focused -- wait for it -- on arguments about evangelicals and White House politics. Turn, turn, turn.

Three decades is a long time, so allow me to pause and make something clear. I still believe that if journalists want to cover real news in the real lives of real people in the real world then they need to get real serious about religion.

Yes, there are problems.

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'On Religion' flashback -- Pat Robertson, evangelicals and the White House (column No. 1)

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'On Religion' flashback -- Pat Robertson, evangelicals and the White House (column No. 1)

Some friends have asked to see "On Religion," column No. 1 -- which predates the Internet by about five or six years. So here it is, typed into the system, working from a copy printed at the time on a newsroom dot-matrix printer. Remember those?

There may have been a few edits in DC, because the column format was about 100 words shorter in the early days.

-- tmatt

 

WASHINGTON DESK: Terry Mattingly's religion column for 4/11/88.

On the morning before Easter, Pat Robertson stood in a pulpit under an American flag and a banner that read, "King of Kings, Lord of Lords."

The press was barred from the meeting in the Harvest Christian Center, in a Denver suburb.

One of the last stops on Robertson's first try to reach the White House was at a luncheon here with about 200 clergy and church activists. Days later, he stopped active campaigning, but pledged that he would try again.

Still this 1988 scene held pieces of the puzzle that is Robertson's future.

The faithful raised their hands high in praise to God and sang familiar hymns with a man that they knew well, a fellow "charismatic" Christian who believed in miracles, prophecy and "speaking in tongues." A nearby table held tapes on a subject close to Robertson's heart -- healing.

It was a scene from his past. And Robertson's aides were trying to keep it out of his public image in the present and future.