mass media

, , , , ,

A comic book attempt to get inside the head of Pope Francis

, , , , ,
A comic book attempt to get inside the head of Pope Francis

The grand Basilica of San Jose de Flores usually inspires visitors to gaze up at its Corinthian pillars and soaring 19th century Italianate clock tower.

This landmark in Buenos Aires played a strategic role in the life of a young Argentinian named Jorge Bergoglio. In a new book entitled "The Life of Pope Francis," he is shown shielding his eyes as he stands, stunned, in front of the sanctuary in 1953. His simple exclamation: "Dios mio," or "My God!"

Since this is a comic book, readers are told what Bergoglio was thinking. If this one moment is worth two giant images in a 22-page book, then the author has to show why it's so important.

"My goal is to focus on a few key events that made a person who are, on the forces that shaped them, not just on what they accomplished in some adult role on world stage," said author Michael Frizell, a creative writer who works in adult education at Missouri State University.

"I prefer to write about the personal, quieter scenes in a person's life. … It's especially hard to capture that when you're trying to describe a religious experience."

This private "Dios mio!" moment matters because whatever happened drove Bergoglio inside the church and into a Confession booth. This revelation changed his life.

In comic-book language that sounds like this, framed in thought boxes: "I ... don't quite know what happened. I felt like someone grabbed me from inside … and took me to the confessional. It was on that day that I knew my destiny was preordained."

, , , , , ,

Year 28 -- The crux of religion-news coverage in a digital marketplace

, , , , , ,

No one is surprised when The Wall Street Journal covers Wall Street, Disney releases a princess movie or Apple creates another wonder framed in aluminum.

Some professionals just do what they do. Thus, anyone who follows religion news knew that The Boston Globe's Crux website, which debuted 18 months ago, was going to be bookmarked by legions of Catholic-news junkies. Reporter John L. Allen, Jr., was going to do that thing that he does.

Alas, as so often happens, an online journalism project that drew millions of computer-mouse clicks failed to generate the stream of advertising revenue Globe executives needed to keep the cyber-doors open. This has led to a partnership -- raising many Catholic eyebrows -- between Allen and the Knights of Columbus, producing a "Crux 2.0," which opened on April 1.

This kind of union is becoming increasingly common. The goal is to marry a commitment to real journalism with financial support from a cooperative nonprofit group.

For this to work, the "people on the other side of the deal have to believe in what you are doing and see the wisdom of becoming part of your brand," said Allen, reached by telephone in Rome. "Your partners also have to be smart enough to realize that a key part of your brand is that you are seen -- by your readers -- as being truly independent."

The Crux project is crucial to anyone who cares about the future of journalism and, especially, quality reporting on specialty news topics like religion. That certainly includes me, after decades of work in this field. That includes, as of this week, 28 years writing this syndicated "On Religion" column.

Those who follow Catholic news know that Crux is not Allen's first journalism rodeo.

, , , , , ,

Pope Francis seeking a Year of Mercy, even in the online land of the trolls

, , , , , ,

Pope Francis has promoted the Extraordinary Jubilee Year of Mercy in many symbolic ways, from spectacular liturgical rites to quiet gestures of forgiveness to sinners who have sought his help.

Now, the social-media star @Pontifex is saying that acts of grace, kindness and mercy should even be attempted by believers whose work and private affairs take them into one of modern life's harshest environments -- cyberspace.

"Emails, text messages, social networks and chats can also be fully human forms of communication. It is not technology which determines whether or not communication is authentic, but rather the human heart," argued Francis, in a statement marking the 50th World Communications Day. It was released at the same time as a private meeting between the pope and Apple CEO Tim Cook.

"Social networks," wrote Francis, "can facilitate relationships and promote the good of society, but they can also lead to further polarization and division. … The digital world is a public square, a meeting-place where we can either encourage or demean one another, engage in a meaningful discussion or unfair attacks. … Access to digital networks entails a responsibility for our neighbor whom we do not see but who is nonetheless real and has a dignity which must be respected."

Believers can stand firm in defending the faith, he said, but "even in those cases where they must firmly condemn evil" it's essential that they not resort to using words and arguments that "try to rupture relationships."

Alas, there's the rub, especially when "trolls" wreck havoc in online communities.

, , , , ,

Making the case for a great Christmas comet over Bethlehem

, , , , ,

It's hard to imagine Christmas without images of a giant star in the night sky over Bethlehem, with one supernaturally bright beam pointing toward a stable.

For carolers, the key words are in "We Three Kings of Orient Are" where everyone sings: "Star of wonder, star of light, star with royal beauty bright. Westward leading, still proceeding, guide us to thy perfect light."

"The Christmas carols are surprisingly accurate when it comes to the details of what we know" from scripture, said New Testament scholar Colin Nicholl of Coleraine, Northern Ireland. "In many cases where they fill gaps in the biblical narratives, they end up including material that is pretty sound -- at least based on my research."

The problem is that this heavenly object simply does not behave like a star. Thus, in his new book "The Great Christ Comet: Revealing the True Star of Bethlehem," Nicholl blends material from history and science to argue that this phenomenon can best be explained by charting the path of what he calls "undeniably the single greatest comet in recorded history."

The language familiar to most readers is found in Matthew's Gospel, which states: "Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, saying, 'Where is he that is born King of the Jews?' for we have seen his star in the east, and are come to worship him."

, , , , , ,

Concerning those British battles about 'Star Wars' and the Lord's Prayer

, , , , , ,

Imagine this scene in a London movie theater, moments before the archetypal fanfare signaling the Dec. 18 arrival of the new "Star Wars" epic.

Imagine a beautiful, dignified advertisement appearing onscreen in which Muslims -- workers, refugees, artists and imams -- each recite one of the opening phrases of the Quran.

"In the name of Allah, Most Gracious, Most Merciful. Praise be to Allah, the Cherisher and Sustainer of the worlds. Most Gracious, Most Merciful; Master of the Day of Judgment. Thee do we worship, and Thine aid we seek."

How would this be received in modern England, a tense land rocked by decades of debate about multiculturalism and whether it remains "Christian," in any meaningful sense of the word?

That's an intriguing question, after the decision by the dominant managers of British theaters to reject a Church of England advertisement -- targeting throngs at "Star Wars" rites -- in which Archbishop of Canterbury Justin Welby and others recite phrases from The Lord's Prayer. It's important to ponder this comparison, argued theologian Andrew Perriman of London, at a website called "An Evangelical Theology for the Post-Christendom Age."

"Context is everything. It seems to me that the assumption that the Lord's Prayer is culturally and religiously innocuous points to some complacency on the part of the church," wrote Perriman, author of "The Coming of the Son of Man: New Testament Eschatology for an Emerging Church."

The decision to use this symbolic New Testament prayer in this public-square context, he argued, suggests that, "we have not let go of the Christendom mentality that expects everyone in this country to be, deep-down, innately, whether-they-like-it-or-not Christian."

, , ,

'Amazing Grace' tests faith in the modern Broadway marketplace

, , ,

NEW YORK -- During his eulogy for the Rev. Clementa Pickney, one of nine worshipers killed at Emanuel AME Church in Charleston, S.C., a visibly moved President Barack Obama paused as he pondered mysteries of grief and forgiveness.

"Blinded by hatred," he said, the gunman could not comprehend the "power of God's grace. … Amazing grace. Amazing grace." The president then began singing: "Amazing grace! How sweet the sound, that saved a wretch like me! I once was lost, but now am found, was blind, but now I see."

The congregation joined in during that June 26 service, which was not a surprise since researchers say believers worldwide sing the Rev. John Newton's classic at least 10 million times a year.

But the president's solo had an unexpected impact in New York, where the cast of the Broadway musical "Amazing Grace" was doing preview performances before its July 16 opening in a tough town for a show about sin, repentance and salvation.

Some theater insiders, for example, had suggested changing the show's name.

"When Obama sang the song it was like heaven for us. If the president knew this song, that meant it was acceptable, that it wasn't just something for church people," said veteran playwright Arthur Giron, who wrote the musical's book -- dialogue and many lyrics -- along with self-taught composer Christopher Smith.

"You see, many Broadway people didn't know 'Amazing Grace,' let alone what the song was about. They obviously didn't know the story of the song and that was the whole point of our show."

, , , , , , ,

The legacy of a faithful pioneer in mainstream media and sports

, , , , , , ,

GREENVILLE, Ill. -- Two decades ago, Bob Briner made a radical decision as he edged away from his 35-year career in pro sports and global media: He sold his homes in Dallas, Texas and Paris, France, and moved to a quiet town in southern Illinois.

The goal was to pass on what he had learned while mentoring students at his alma mater, Greenville College. He hosted Bible studies, helped students find jobs and spent time hanging out and talking sports.

But Briner kept hearing one awkward question over and over, after the release of his book "Roaring Lambs," a bestseller urging believers to get more involved in mass culture. People kept asking if he was going to start producing "Christian media."

Briner always tried to change the subject. Truth is, he once told me, most of his fellow evangelicals would not appreciate his answer. Many would be offended.

"I decided I wasn't tough enough to work in Christian media," he said, a few weeks before he died of cancer in 1999.

"You see, it never offended me when secular people acted like secular people," he explained. "What I couldn't understand was why so many Christians I did business with didn't act like Christians. I found that things were actually worse -- in terms of basic ethics -- in the Christian media than in the mainstream. That really hurt. So I decided I wasn't tough enough for Christian media."

Anyone who knew the man would recognize those words as "quintessential RAB," said retired Greenville College President Robert "Ish" Smith, using the initials that formed Briner's nickname. Smith and Briner met at age 12 on a church baseball team in Dallas, and were friends for life, including during college.

, , , , , , , ,

Dark Halloween nights vs. bright All Hallows' Eve rites

, , , , , , , ,

It's Halloween in suburbia and most of the houses are decorated and glowing, waiting to serve treats to Disney princesses, superheroes, movie pirates, zombies. Minions and tiny people disguised as puppies, pumpkins or other innocent options.

But a few houses are dark because, for reasons of safety or theology, their inhabitants have made the countercultural decision to avoid contact with a season they believe has grown too dark and dangerous. Others believe "pagan," evil influences have shaped Halloween, deep into its roots.

"It's hard to know precisely what people mean when they use a word like 'pagan.' For many people it means anything that's ungodly or disturbing. … That's what some Americans think Halloween has become -- a clash between good and evil," said Scott McConnell, vice president of LifeWay Research.

A recent LifeWay telephone survey, he said, found that 21 percent of Americans have decided to avoid Halloween altogether, while another 14 percent specifically try to avoid "pagan" elements of the festivities. Nearly 60 percent said Halloween is "all in good fun," while 6 percent of survey participants were "not sure" what they thought.

While some people are worried about ghosts, goblins, devils and other images of death and decay, Americans are much more likely to see Hollywood symbols of "good and evil" arrive at their doors shouting "trick or treat."

, , , , , ,

A case for having some doctrines affecting smartphone use in pews

, , , , , ,

It's a typical Mass in an American parish in which the kneelers contain a mix of teens, single adults, young families and church stalwarts with gray hair.

Near the end of a sermon about family life, during this hypothetical Mass, the priest makes a pithy observation that is both poignant and slightly ironic.

A young-ish parish council member smiles and posts the quote to Twitter, since he is already using his smartphone to follow Mass prayers in a popular Catholic app. This infuriates a nearby grandmother, who is already upset that her daughter is letting her kids play videogames in church, to keep them quiet.

The Twitter user, of course, thought he was paying the priest a compliment by tweeting the sermon quote while, perhaps, engaging in a bit of social-media evangelism to prompt discussions with friends at work. But this gesture also infuriated a nearby worshipper and destroyed her sense of sacred space.

"Everyone used to know the worship rules and now we don't. It's that simple, which means that things are getting more complex," said Lee Rainie, director of Internet, science and technology research at the Pew Research Center. He is also the co-author of the book "Networked: The New Social Operating System."

Every venue in public life "has its own context and you can't write a set of social-media rules that will apply in all venues," he said. "Using technology to enrich our own spiritual experiences is one thing, while interrupting corporate worship is another. … People are going to have to ask if that phone is pulling them deeper into worship services or if they're using it to disengage and pull out of the experience."

This storm has been building in the pews for more than a decade and religious leaders will not be able to avoid it, according to fine details in new work by the Pew Research Center's American Trends Panel.