On Religion
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Looking for alternative forms of faith in the streets of postmodern Czech Republic

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Looking for alternative forms of faith in the streets of postmodern Czech Republic

PRAGUE -- The Czech Republic's capital has long been called the "city of 100 spires" and there are many church steeples among all those soaring medieval landmarks.

But along the winding, cobblestone streets, something else is happening at eye level in the bookstores, artsy shops, coffee hangouts and sidewalk posters. This is where yoga mixes with sacred rocks, folk religion bumps into numerology and dark themes in fantasy comics blend into pop versions of Hinduism and Buddhism.

In today's Czech Republic, people are "still asking questions about what is good and what is bad, and questions about life and death," said Daniel Raus, a journalist and poet known for his years with Czech Radio, covering politics, culture and religion.

"What is different is that (Czechs) are saying, 'I will decide what is good and I will decide what is bad. No one can tell me what to believe about any of this.' "

These trends can be seen in revealing numbers in a new Pew Research Center study entitled "Religious Belief and National Belonging in Central and Eastern Europe."

Looking at the big picture, the survey shows that the influence and practice of faith is slipping in lands long identified with Catholicism, those closest to the European West. Eastern Orthodoxy is rising, especially in lands in which faith and national identity blend. Among the Orthodox, however, statistics linked to prayer and worship remain sobering.

But the location of the most stunning changes is clear.

"The most dramatic shift … has occurred in the Czech Republic, where the share of the public identifying as Catholic dropped from 44% in 1991 to 21% in the current survey," noted the Pew summary document. "Today, the Czech Republic is one of the most secular countries in Europe, with nearly three-quarters of adults (72%) describing their religion as atheist, agnostic or 'nothing in particular.' "

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Donald Trump meets worship wars in controversial Kennedy Center, Dallas rites

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Donald Trump meets worship wars in controversial Kennedy Center, Dallas rites

Rare is the Church of England worshipper who needs a pew copy of Hymns Ancient and Modern in order to sing No. 578, which is often performed with great pomp – trumpets and all – in the rites that symbolize the old glory of Great Britain.

The first verse: "God save our gracious Queen, long live our noble Queen, God save the Queen! Send her victorious, happy and glorious, long to reign over us: God save the Queen."

That works in England, which has a state church. However, some flashy church-state rites at the Kennedy Center recently raised lots of American eyebrows, inspiring online shouts of "Idolatry!" In particular, critics focused on an anthem performed by the First Baptist Church of Dallas choir and orchestra during the "Celebrate Freedom Rally."

The first verse, sung before a speech by President Donald Trump, proclaimed: "Make America great again! Lift the torch of freedom all across the land. Step into the future joining hand in hand. And make America great again."

The Rev. Robert Jeffress of First Baptist, Dallas, was just as blunt during his remarks during the rally in Washington, D.C.

"God declared that the people, and not the pollsters, were going to choose the next president of the United States and they chose Donald Trump," shouted Jeffress, an early Trump supporter. "Christians understood that he alone had the leadership skills to reverse the downward death spiral our nation was in."

Jeffress later defended the anthem, which was based on the Trump campaign slogan. It was not "sung in a church as a worship song on Sunday morning," he told The Christian Post.

However, others were just as offended by the fireworks, flag-waving and political sermonizing during this year's "Freedom Sunday" services in First Baptist, Dallas. A typical response came at the "Ponder Anew" blog in the Patheos public-square forum.

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A decade later, the omnipresent iPhone shapes lives, families and even souls

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A decade later, the omnipresent iPhone shapes lives, families and even souls

The late Steve Jobs loved surprises and, at the 2007 MacWorld conference, he knew he was going to make history.

"Every once and awhile, a revolutionary product comes along that changes everything," said Apple's prophet-in-chief. This product – on sale at the end of June 2007 – combined entertainment programs with a telephone, while also putting the "Internet in your pocket." His punch line a decade ago: "We are calling it iPhone."

At one point in that first demonstration, Jobs began jumping from one iPhone delight to another. He wryly confessed: "I could play with this thing a long time."

To which millions of parents, clergy and educators can now say: "#REALLY. Tell us something we don't know."

One key iPhone creator has had doubts, as well, especially when he watches families in restaurants, with parents and children plugged into their omnipresent smartphones.

"It terms of whether it's net positive or net negative, I don't think we know yet," said Greg Christie, a former Apple leader who helped create the iPhone's touch interface. He spoke at a Silicon Valley event covered by The Verge, a tech website.

"I don't feel good about the distraction. It's certainly an unintended consequence," said Christie. "The fact that it is so portable so it's always with you … and it provides so much for you that the addiction actually, in retrospect, is not surprising."

There is more to this puzzle that mere addiction, according to Southern Baptist Theological Seminary President R. Albert Mohler, Jr. In a recent podcast – yes, he noted many people listen on iPhones – he tried to summarize the cultural, moral and even theological trends seen during the first decade in which the iPhone and related devices shaped the lives of millions and millions of people worldwide.

Rather than being a luxury for elites, he said, this device "has become something considered a necessity, and in this world, if we're playing by the world's terms, of course it is. … The question the iPhone represents to us is: Who owns whom? Do we own the iPhone, or, increasingly, immorally, does the iPhone own us?"

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Wrestling with the complex Gospel according to Bob Dylan, once again

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Wrestling with the complex Gospel according to Bob Dylan, once again

When Bob Dylan tells the story of Bob Dylan, he often starts at a concert by rock 'n' roll pioneer Buddy Holly in the winter of 1959.

At least, that's where he started in his recent Nobel Prize for Literature lecture.

Something mysterious about Holly "filled me with conviction," said Dylan. "He looked me right straight dead in the eye and he transmitted something. Something, I didn't know what. And it gave me the chills."

Days later, Holly died in a plane crash. Right after that, someone gave Dylan a recording of "Cotton Fields" by folk legend Leadbelly. It was "like I'd been walking in darkness and all of the sudden the darkness was illuminated. It was like somebody laid hands on me," said Dylan.

That story probably sounded "rather strange to lots of people," said Scott Marshall, author of the new book "Bob Dylan: A Spiritual Life."

"What happens when somebody lays hands on you? If people don't know the Bible, then who knows what they'll think that means? … Dylan is saying he felt called to some new work, like he was being ordained. That's just the way Dylan talks. That's who he is."

For millions of true believers, Dylan was a prophetic voice of the 1960s and all that followed. Then his intense embrace of Christianity in the late 1970s infuriated many fans and critics. Ever since, Dylan has been surrounded by arguments – often heated – about the state of his soul.

The facts reveal that Dylan had God on his mind long before his gospel-rock trilogy, "Slow Train Coming," "Saved" and "Shot of Love."

One civil rights activist, the Rev. Bert Cartwright, catalogued all the religious references in Dylan's 1961-78 works, before the "born-again" years. In all, 89 out of 246 Dylan songs or liner notes – 36 percent – contained Bible references. Cartwright found 190 Hebrew Bible allusions and 197 to Christian scriptures.