On Religion
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After the Nashville Statement – a blunt response from the Christian left in Denver

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After the Nashville Statement -- a blunt response from the Christian left in Denver

On the Christian left, the Rev. Nadia Bolz-Weber is known for her blasts of profane theology, a wit honed in stand-up comedy, the 6-foot-1 tattooed frame of a bodybuilder and confessions about her old life of drugs and sleeping around.

As founder of Denver's House for All Sinners and Saints, she has emerged as a popular apologist for the liberal Evangelical Lutheran Church in America, yet has also shown she can appeal to evangelical progressives. The Washington Post summed up her message like this: "God doesn't love you more if you do good things, or if you believe certain things."

So it's no surprise that Bolz-Weber took to the Internet to attack the recent Nashville Statement by evangelicals at the Council on Biblical Manhood and Womanhood, which made headlines with its defense of ancient doctrines on sex, gender and marriage.

For starters, it said: "We did not make ourselves. We are not our own. Our true identity, as male and female persons, is given by God. It is not only foolish, but hopeless, to try to make ourselves what God did not create us to be."

In response, the "Denver Statement" was posted at Bolz-Weber's "Sarcastic Lutheran" website as the work of "some of the queer, trans, gay, lesbian, bi-sexual, gender-queer, asexual, straight, single, married image-bearing Christians" in her flock.

In its preamble, they declared: "Western culture has embarked upon a massive revision of what it means to be a human being by expanding the limits and definitions previously imposed by fundamentalist Christians. By and large, the spirit of our age discerns and delights in the beauty of God's design for human life that is so much richer and more diverse than we have previously understood it to be. ...

"The pathway to full and lasting joy through God's good design for God's creatures is clearly inclusive of a variety of identities of gender and expressions of sexuality that have previously been denied by shortsighted and limited thinking, teaching and preaching that has ruined lives and dishonored God."

It's hard to know where to begin in responding to this, since Bolz-Weber and her cowriters begin with such a sweeping dismissal of centuries of Christian doctrine, said Denny Burk, president of the Council on Biblical Manhood and Womanhood.

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The challenging task of passing on a Bible story that's bigger than witty vegetables

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The challenging task of passing on a Bible story that's bigger than witty vegetables

It's easy to capture a kid's attention with cartoons about Noah and the Ark, Joshua's laps around the walls of Jericho and other colorful stories from scripture.

Phil Vischer ought to know, since for millions of Americans under the age of 25 he is best known as Bob the Tomato and the brain behind the original VeggieTales videos. But over time, he realized that he faced a bigger challenge as a storyteller, one symbolized by the sign on his 1990s office wall that proclaimed: "We will not portray Jesus as a vegetable."

At some point, he said, children need to learn the whole story of faith – including the hard parts. This has to happen quickly in a culture that barrages them with competing signals as soon as they leave their cribs.

"You have to have the big story of what our faith is all about," said Vischer, in a telephone interview. "Our moral beliefs are like ornaments we hang on a tree. The problem is that we've thrown out the tree and we expect the ornaments to keep hanging in the air on their own.

"You can't just tell kids, 'Behave! Because I told you so!' … Without a big spiritual narrative, some larger worldview, you have nothing to hang moral behavior on."

That was the challenge at the heart of Vischer's talk – "Beyond VeggieTales: Forming the Moral Imagination of Your Kids" – during a recent Nashville conference on parenting held by the Southern Baptist Convention's Ethics and Religious Liberty Commission. Speaker after speaker mentioned a media culture that feeds children clashing concepts of good and evil, success and failure, before they enter kindergarten. Digital screens are everywhere, packed with compelling stories.

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Growing LGBT theological tensions keep shaking American evangelicals

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Growing LGBT theological tensions keep shaking American evangelicals

Tensions on the left side of American evangelicalism had been building for years and then Christian ethics professor David Gushee drew a bright red line.

Many religious groups reject gay-rights efforts because of ancient doctrines on marriage and sexuality, he noted in a Religion News Service essay last year. Some have tried to do this quietly.

"It turns out that you are either for full and unequivocal social and legal equality for LGBT people, or you are against it," wrote Gushee, who teaches at Mercer University, a hub for Bible Belt progressives. He is the author of numerous books, including, "Changing Our Mind, Kingdom Ethics."

Gushee warned the orthodox: "Neutrality is not an option. Neither is polite half-acceptance. Nor is avoiding the subject. Hide as you might, the issue will come and find you."

This warning was one moment of clarity that led to the August 25 Nashville Statement from the Council on Biblical Manhood and Womanhood. The manifesto restates many ancient Christian doctrines, such as: "God designed marriage as a covenantal union of only a man and a woman that is the sole context for sexual intercourse."

However, the preamble addresses new challenges, stating: "Evangelical Christians at the dawn of the twenty-first century find themselves living in a period of historic transition. As Western culture has become increasingly post-Christian, it has embarked upon a massive revision of what it means to be a human being."

Thus, Article 10 states: "WE AFFIRM that it is sinful to approve of homosexual immorality or transgenderism and that such approval constitutes an essential departure from Christian faithfulness and witness. WE DENY that the approval of homosexual immorality or transgenderism is a matter of moral indifference about which otherwise faithful Christians should agree to disagree."

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Country music and the emotional ties that bind Saturday night and Sunday morning

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Country music and the emotional ties that bind Saturday night and Sunday morning

Anyone looking for the late Johnny Cash will find him in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, the Gospel Music Hall of Fame, the Folk Music Hall of Fame and many other American music honor rolls.

 But when asked to describe his musical values, Cash preached country gospel: "I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God."

That's the kind of raw, tear-jerking storytelling that country fans embrace, according to author Malcolm Gladwell, in a recent Revisionist History podcast called "The King of Tears." That emotional worldview may be one reason people in different regions and social classes have trouble understanding each other.

"I'm talking about the bright line that divides American society – not the color line, or the ideological lines. I'm talking about the sad song line," said Gladwell, best known for his work in The New Yorker and bestsellers like "The Tipping Point."

Contrast the worldviews of rock and country, he said. Anyone who studies Rolling Stone Magazine's top 50 rock songs will mainly hear "songs about wanting to have sex, songs about having sex, songs about getting high, presumably after having sex. ... In all of those 50 songs, nobody dies after a long illness, no marriage disintegrates, nobody's killed on a battlefield, no mother grieves for a son."

In terms of raw country emotions, said Gladwell, it's hard to top the epic memorial service after the death of superstar George Jones in 2013. At one point, Vince Gill sobbed his way through the heart of his classic "Go Rest High on that Mountain," with Patty Loveless singing a harmony line alone. That song was inspired by the death of Gill's brother, as well as the death of country star Keith Whitley.