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'Naughty list' selections: Rolling Stone issues a morality warning to parents?

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'Naughty list' selections: Rolling Stone issues a morality warning to parents?

Parents in pews rarely turn to Rolling Stone for advice about pop-culture morality.

But the magazine's expose about "The Idol," a summer HBO series about a romance between a pop starlet and an edgy cult leader, produced waves of viral quotes. Production staffers called it a "rape fantasy" that verged on "sexual torture porn." One said the series about a young woman "finding herself sexually" evolved into "a show about a man who gets to abuse this woman, and she loves it."

The network cancelled "The Idol," even though a public-relations statement cited "strong audience response" to "one of HBO's most provocative" dramas.

Thus, HBO landed on the Parents Television and Media Council "naughty list" for 2023. The citation noted: "HBO has led the charge towards marketing explicit, adult content to children and teens, introducing the sexually explicit The Idol to viewers this past summer, quietly adding Naked Attraction featuring uncensored fully naked contestants, and extending teen-targeted Euphoria for another season of drugs and depravity."

National Public Radio hailed "Euphoria" as "thrilling, daring, disquieting and compelling," as well as "a parent's worst nightmare" with its focus on high-school students who have "problems handling an excess of drugs, drink and sex" and "always seem to make the worst choices."

While stressing that PTMC is secular, it's obvious that today's digital screen culture -- delivered through smartphones, tablets, laptops and, every now and then, televisions -- is raising issues that religious leaders cannot ignore, said Melissa Henson, the organization's programming director.

"Unquestionably, COVID accelerated a shift in media consumption patterns. … We're not talking about the end of traditional television, but there is no question that the audience is becoming more and more fragmented," said Henson, in a telephone interview.

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A 'nothing in particular' believer captures millions of clicks in YouTube America

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A 'nothing in particular' believer captures millions of clicks in YouTube America

Oliver Anthony counted about 20 listeners when he performed earlier this summer at a produce market in coastal North Carolina.

That was before August 8, when radiowv posted his "Rich Men North Of Richmond" video on YouTube. More than 45 million views later (when this was posted), the unknown country singer from Farmville, Virginia, has become a culture-wars lightning rod.

When he returned to the Morris Farm Market, near Currituck, he faced the massive August 13 crowd and read from Psalm 37: "The wicked plot against the righteous and gnash their teeth at them; but the Lord laughs at the wicked, for he knows their day is coming. The wicked draw the sword and bend the bow to bring down the poor and needy, to slay those whose ways are upright. But their swords will pierce their own hearts, and their bows will be broken."

Anthony then sang his blunt NSFW (not safe for worship) hit about suicide, depression, hunger, drugs, politics, child sex trafficking and dead-end jobs.

"I've been sellin' my soul, workin' all day / Overtime hours for bulls*** pay / So I can sit out here and waste my life away / Drag back home and drown my troubles away," he sang, with the crowd shouting along. The chorus began: "Lord, it's a damn shame what the world's gotten to / For people like me and people like you / Wish I could just wake up and it not be true / But it is, oh, it is / Livin' in the new world / With an old soul."

"Rich Men North Of Richmond" debuted at No. 1 in Billboard's Top 100, the first time ever for a new artist without a recording contract and mainstream radio support.

"The song was immediately politicized, even though there have always been country songs with singers lamenting the state of their lives and the state of America," said David Watson, a theologian and country-music fan. He is academic dean of United Theological Seminary in Dayton, Ohio, near a Rust Belt poverty zone with historic ties to Appalachia.

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Raquel Welch finally found some peace in with believers in an ordinary church pew

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Raquel Welch finally found some peace in with believers in an ordinary church pew

The statuesque film legend didn't call attention to herself as she shared a pew with other conservative Presbyterians in their small church not far from Hollywood.

She was articulate when discussing theology and church matters and, from time to time, would offer advice on finances. She had learned a lot in the movie business.

Raquel Welch wasn't trying to hide, during the later decades of her life when she faithfully attended Calvary Presbyterian Church in Glendale, California. She was simply looking for people she could trust.

"She was careful. … She wasn't going to one of those 2,000-member churches where everyone would look at her. That wasn't her style," said the Rev. Christopher Neiswonger, who grew up in that congregation and attended nearby Fuller Theological Seminary. He now leads Graceview Associate Reformed Presbyterian Church in Southhaven, Mississippi.

"She also wasn't trying to stick her thumb in the eye of a Hollywood culture that she knew would denigrate this kind of faith commitment. … She was Raquel Welch, but she just wanted to be part of our church family."

Welch died on Feb. 15 at the age of 82, inspiring waves of tributes focusing on her iconic beauty in "Fantastic Voyage," "100 Rifles," "The Three Musketeers" and dozens of other movies and television programs. The legendary poster from "One Million Years B.C." framed her as a bombshell babe image for the ages.

In a Facebook tribute shared with other believers, Neiswonger called Welch a "wonderful lady and a fine Christian" whose "faith grew more powerful and practical with age. It's often true that the most important things become the most important to us as we've matured personally."

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Loretta Lynn's art put rhinestone feminism and Gospel truth in the same package

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Loretta Lynn's art put rhinestone feminism and Gospel truth in the same package

On many Sundays, Loretta Lynn sent her social-media followers a thought for the day from Scripture.

Two days before her death at her ranch in Hurricane Mills, Tenn., the 90-year-old country-music legend posted two verses, repeating the second verse to stress her point.

Lynn's final Instagram post said: "Everyone who does evil hates the light, and will not come into the light for fear that their deeds will be exposed. But whoever lives by the truth comes into the light, so that it may be seen plainly that what they have done has been done in the sight of God. John 3:20-21"

The feisty superstar experienced plenty of darkness and light and shared the gritty details in a career that changed the role of women in Nashville. Lynn was raised poor in the Kentucky hills and spent years in church pews before she started singing in honky-tonks. Her husband Oliver "Dolittle" Lynn struggled with alcoholism, but they stuck together in a union that inspired songs about love and loyalty, as well as break-ups and fist fights, such as "Don't Come Home A-Drinkin' (With Lovin' On Your Mind)."

Lynn vowed to tell the truth about both sides of her life. She loved to sing hymns and gospel music, while critics hailed the rhinestone feminism of her hits such as "You Ain't Woman Enough," "The Pill," "Rated X" and "You're Looking at Country."

In her "Coal Miner's Daughter" memoir, Lynn described her faith journey: "I believed it all, but for some reason I was never baptized. After I started in music, I got away from going to church and reading the Bible. I believe I was living the way God meant me to, but I wasn't giving God the right attention."

In that same 1976 memoir, she added: "I'm trying to lead a good Christian life, especially since I got baptized two years ago. So there ain't too much spicy to tell about me -- just the truth." Christian Chronicle editor Bobby Ross, Jr., noted that she later added a strong kicker to that: "Nobody's perfect. The only one that ever was, was crucified.”

Anyone who explored the details of Lynn's life and music knew that she wasn't a good fit in the "elite feminist establishment" or among advocates of a "status-quo idea of domesticity," noted Russell Moore, Christianity Today's editor in chief.

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Big question from COVID-tide: Should church leaders trust Facebook and Big Tech?

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Big question from COVID-tide: Should church leaders trust Facebook and Big Tech?

There are 2.4 billion Christians in the world today, according to most estimates.

Then again, nearly 3 billion people have Facebook accounts. Nearly 70% of U.S. adults use this social-media platform, which recently passed $1 trillion in market capitalization.

"I will use Facebook to reach people, because you almost have to do that," Father Andrew Stephen Damick, chief content officer for Ancient Faith Ministries, a 24-hour source for online radio channels, podcasts, weblogs, forums and more. The ministry was born in 2004 and is now part of the North American archdiocese of the ancient Orthodox Patriarchate of Antioch.

Facebook remains, he noted, "the No. 1 social-media platform in the world -- by a lot. You can't ignore all those people. … We knew this before COVID, but the pandemic made it impossible to deny the obvious. Everyone had to go online, one way or another."

Facebook Live became a way to stream worship services online, even if all a pastor could do was mount a smartphone on a stand. Even small congregations began holding online religious-education classes, support groups and leadership meetings.

As for worship, it was one thing for Protestant megachurches to stream TV-friendly services built on pop-rock Christian music and charismatic preaching. The online options were more problematic for faiths in which worship centered on the smells, bells, images and tastes of ancient liturgies.

Then, in early June, images began circulating of a Twitter message introducing "Prayer Posts" allowing Facebook users to "enable group members to ask for and respond to prayers" with a few clicks in a page's control settings. Participation could be as simple as a user clicking an "I prayed" button linked to a prayer.

This isn't a totally new idea. The Facebook "Prayer Warriors" group already has 865,700 active members, a flock larger than the average of 518,000 Episcopalians that attended services on an average Sunday in 2019, according to the denomination's statistics.

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Memory eternal: Farewell to the sharp pen of Father Paul 'Diogenes' Mankowski

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Memory eternal: Farewell to the sharp pen of Father Paul 'Diogenes' Mankowski

For millions of Americans, "The Battle Hymn of the Republic" is as familiar as the national anthem and much easier to sing.

Few would need help with: "Mine eyes have seen the glory of the coming of the Lord. He is trampling out the vintage where the grapes of wrath are stored. He has loosed the fateful lightning of His terrible swift sword. His truth is marching on! Glory, glory, Hallelujah! … His truth is marching on!"

During 1990s fights over updated Catholic liturgies, a Semitic languages professor at Rome's Pontifical Biblical Institute wrote a Battle Hymn for modernists.

This "sanitized" text -- "chanted to no tune in particular" -- declared: "I see God's approach; it is good. God makes wine with God's feet. … Brightness flashes from the decision-making apparatus. God's worldview is currently earning widespread respect. Give honor repeatedly to the god of our tradition. We have owned our values."

Father Paul V. Mankowski put his own name on that First Things piece, since it didn't lance specific institutions or leaders. For decades, Catholics seeking his satirical work learned to look for "Diogenes" at CatholicCulture.org or "Father X" elsewhere.

Mankowski died on September 3 at age 66, felled by a ruptured brain aneurysm. Raised in a middle-class Rust Belt family, he worked in steel mills to pay tuition at the University of Chicago. His advanced degrees included a master's from Oxford and a Harvard University doctorate.

Many researchers, politicos and journalists (like me) knew him through telephone calls and emails, usually seeking documents and statements from nearby Catholic leaders. He was a rarity in the modern age -- a Jesuit conservative -- and his superiors eventually ordered him not to address church controversies. Much of his work was published anonymously or using pen names.

Princeton University's Robert P. George blitzed through years of emails, after hearing about Mankowski's sudden death.

"There are some doozies -- especially the spoofs, send ups and parodies," said George, on Facebook. "His wit was a massive quiver full of poison-dipped arrows, and he was a master archer. … He would not give a pass to fools, frauds, charlatans, hypocrites, rent seekers, time servers, racketeers, manipulators, corrupt scholars, false teachers or weak or craven leaders, especially in the Church."

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Struggling to take sacraments to the people, while honoring social-distancing rules

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Struggling to take sacraments to the people, while honoring social-distancing rules

Priests in the Church of England have faced many challenges in recent decades -- from plummeting attendance numbers to fierce debates about marriage and sexuality.

Nevertheless, a coronavirus epistle from Archbishop of Canterbury Justin Welby and Archbishop of York John Sentamu was a shocker -- offering worship guidelines even stricter than those released by the government.

"Our church buildings must now be closed not only for public worship, but for private prayer as well and this includes the priest … offering prayer in church on their own," they wrote. "A notice explaining this should be put on the church door."

Thus, there was quiet defiance in Father Marcus Walker's voice as he stood alone near the altar of St. Bartholomew the Great -- London's oldest surviving church -- on the first Sunday after Easter and said, "I speak in the name of the Living God: Father, Son and Holy Spirit. Amen. And so we're back."

There was no response from his Facebook Live flock, but the priest stressed that he had been listening to his people. The bottom line: There had to be some way to proceed that stressed public safety, while addressing people's spiritual needs.

"Their voices have been loud, insistent and -- so far -- unanimous," he said, in his sermon. "I have received scores of letters and emails, calling on services to be restored here in their church: the church they have upheld and kept up, where they were married, where they buried a partner, saw a child christened, found God, were confirmed.

"This is their church and I am their pastor. I owe them my solidarity. As one said in her letter: 'We don't need you in solidarity at home, we need you in solidarity at the altar of our church.' "

With Easter in the rear-view mirror, members of ancient Christian flocks -- those built on liturgies and sacraments -- are waiting to see how their shepherds will walk a liturgical tightrope between church and state.

The bottom line: It's easier for megachurches to put their dramatic sermons and worship bands on home computer screens than for priests to digitize Holy Communion and rites of confession.

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Should busy pastors spend time and energy in the 'dumpster fire' of life in social media?

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Should busy pastors spend time and energy in the 'dumpster fire' of life in social media?

If there are problems in the pews these days, most pastors will learn about them the way they learn about almost everything else -- their smartphones will blow up.

It may be a text messages, a blitz of tweets or an online post that ignites a long comments thread with the faithful trading theological jabs or making pious, passive-aggressive remarks about church life. Other messages will be specific and personal, often leaving pastors confused about the urgency of these terse signals.

"People can create online personalities that are simply not real. … A lot of what they say in social media has little to do with who they really are and all the fleshy, real stuff that's in their lives," said the Rev. John Jay Alvaro, of First Baptist Church in Pasadena, Calif.

Thus, Alvaro and the church's other clergy are committed to this strategy: Always move "one step closer" to human contact. "What we want is coffee cups and face-to-face meetings across a table. … You have to get past all the texts and emails and Facebook," he said.

In fact, Alvaro is convinced that online life has become so toxic that it's time for pastors to detox. Thus, he recently wrote an essay for Baptist News Global with this blunt headline: "Pastors and other church leaders: Give up social media. Not for Lent, but forever." His thesis is that the "dumpster fire" of social-media life is making it harder for pastors to love real people.

To quote one of Alvaro's Duke Divinity School mentors -- theologian Stanley Hauerwas -- today's plugged-in pastor has become "a quivering mass of availability."

"Any benefit you perceive social media is giving you pales when compared to the real losses of cultivating your online social presence," wrote Alvaro. "Or take it from the other direction. If everyone in your congregation got off Facebook, Twitter, Instagram, Snapchat, etc., your ministry and your pastoral life would improve immediately. Well, not immediately. First there would be withdrawal, anger and other addictive reactions. Drugs don't leave your system peacefully."

After evaluating his own experiences in ministry, and talks with other pastors, Alvaro thinks that many people don't understand that social media programs are designed to amplify messages -- especially "negative emotional content" -- so that they spread as far as possible, as fast as possible.

This commercial system is "built to make you angry or sad, but with the promise that good news is one more scroll away. It is a slot machine of empty promises," he wrote.

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Yes, it's satire: How to Bee a perfect Christian in a world defined by niche culture

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Yes, it's satire: How to Bee a perfect Christian in a world defined by niche culture

When newcomers arrive at a megachurch these days, they face an obstacle course of challenges -- from deciding how much to tip the parking-lot guy to tricking their normal children into looking like cherubs.

Finally, loaded with visitor swag -- donuts, coffee, official church water bottles, snappy Christian t-shirts, the pastor's new book -- they head into the flashing lights, dry-ice fog and pounding pop music inside the auditorium.

Now what? The bottom line: Look spiritual.

"On the powerful choruses, lift your hands high with abandon. On the subtler verses, tone it down a touch," advises the snarky narrator in the new book "How to Be a Perfect Christian," by the duo behind The Babylon Bee, a Christian satire website.

After the guitar solo, there will be a "bridge" that worshippers sing over and over and over: "Go for it with both hands and a feigned expression of emotion on your face. Sway side to side like a tree in the wind. If you open one eye at this point, you'll probably notice that people … are staring at you in awe that they're in the presence of one so holy."

The book's goal isn't to mock Christianity, but to help believers understand that many churches have evolved into self-help supermarkets defined by trends in mass culture, said Bee founder Adam Ford. Often, faith turns into another "niche" product.

"We push back against the commercialization and 'celebritization' of so many aspects of the church," noted Ford, who does email interviews since he struggles with anxiety attacks. "Get a famous pastor with a lot of Twitter followers, host the most carnival-like 'church services,' make sure everyone is as comfortable and entertained as possible, preach a Zig Ziglar-style message, and you'll get more people to come to your church. Like churches are circus franchises or something, with the ultimate goal being more butts in seats."

Ford wanted to become a pastor, but veered into the more private world of digital publishing (Adam4d.com). He founded the Bee in 2016 and recently sold the site, in part because of the hot spotlight caused by its success and a run-in with Facebook over content.